Atsiliepimai
Aprašymas
In the first anthology of her work, groundbreaking New York music journalist Amy Linden shares revealing conversations with some of the biggest names in hip-hop.
In what amounts to a rough draft of musical history, Linden goes deep in features about numerous artists from the worlds of rap and R&B, getting the straight story -- in their own words -- from many of the greats. And she displays the breadth of her work in articles and reviews about punk rock legends and, surprisingly, Barney the Dinosaur and the circus.
As a regular contributor to such leading publications as XXL, The Source, Vibe, Spin, The New York Times and Rolling Stone, Linden was a rarity in early hip-hop journalism: a white woman covering what was then predominately Black music. But, as her frank interviews depict, she became a trusted member of that musical community, a knowledgeable and discerning judge of artists and their music. Her writing about female artists is especially noteworthy.
Among the highlights here:
Amy Linden's writing is loaded with authority, courage and humor. Pretty Fly for a White Girl is an important addition to the literature of hip-hop. But it is also evidence of a great career in journalism by a woman who brushed off the professional barriers that faced her and did the work she wanted to do.
In the first anthology of her work, groundbreaking New York music journalist Amy Linden shares revealing conversations with some of the biggest names in hip-hop.
In what amounts to a rough draft of musical history, Linden goes deep in features about numerous artists from the worlds of rap and R&B, getting the straight story -- in their own words -- from many of the greats. And she displays the breadth of her work in articles and reviews about punk rock legends and, surprisingly, Barney the Dinosaur and the circus.
As a regular contributor to such leading publications as XXL, The Source, Vibe, Spin, The New York Times and Rolling Stone, Linden was a rarity in early hip-hop journalism: a white woman covering what was then predominately Black music. But, as her frank interviews depict, she became a trusted member of that musical community, a knowledgeable and discerning judge of artists and their music. Her writing about female artists is especially noteworthy.
Among the highlights here:
Amy Linden's writing is loaded with authority, courage and humor. Pretty Fly for a White Girl is an important addition to the literature of hip-hop. But it is also evidence of a great career in journalism by a woman who brushed off the professional barriers that faced her and did the work she wanted to do.
Atsiliepimai