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Posthumously
Posthumously
Knygos.lt klubas Knygos.lt nariams
270,19 €
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385,99 €
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In 2004, Jacques Derrida gave one of his final interviews prior to his death. Regarding the future of his work, Derrida advanced two contradictory hypotheses: I will not be read; and despite a handful of good readers . . . I am yet to be read. This book is an homage to the spirit of Derrida, and seeks to grasp the significance of his death on the rich corpus of his work, in a voice that remains true to the faithful betrayalsof Derridas own works of deconstuction. Two key journeys underpin Posth…

Posthumously (el. knyga) (skaityta knyga) | Zsuzsa Baross | knygos.lt

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In 2004, Jacques Derrida gave one of his final interviews prior to his death. Regarding the future of his work, Derrida advanced two contradictory hypotheses: I will not be read; and despite a handful of good readers . . . I am yet to be read. This book is an homage to the spirit of Derrida, and seeks to grasp the significance of his death on the rich corpus of his work, in a voice that remains true to the faithful betrayalsof Derridas own works of deconstuction. Two key journeys underpin Posthumously. The first is an exploration of both Derrida and deconstruction through the unusual prism of cinema and photography, bringing into play Gilles Deleuze's concept of creative repetition. In the second journey, the author embarks on a detailed engagement with Derrida's oft-neglected book on drawing, Memoirs of the Blind, and provides a subversive reading of that text, arguing that its labyrinthine turns (confession, self-portrait, and mourning) obscure a secret ambition to stage the
last battle between it

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In 2004, Jacques Derrida gave one of his final interviews prior to his death. Regarding the future of his work, Derrida advanced two contradictory hypotheses: I will not be read; and despite a handful of good readers . . . I am yet to be read. This book is an homage to the spirit of Derrida, and seeks to grasp the significance of his death on the rich corpus of his work, in a voice that remains true to the faithful betrayalsof Derridas own works of deconstuction. Two key journeys underpin Posthumously. The first is an exploration of both Derrida and deconstruction through the unusual prism of cinema and photography, bringing into play Gilles Deleuze's concept of creative repetition. In the second journey, the author embarks on a detailed engagement with Derrida's oft-neglected book on drawing, Memoirs of the Blind, and provides a subversive reading of that text, arguing that its labyrinthine turns (confession, self-portrait, and mourning) obscure a secret ambition to stage the
last battle between it

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