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Postcards from the Underworld
Postcards from the Underworld
Knygos.lt klubas Knygos.lt nariams
18,82 €
-30%
Įprastai
26,89 €
  • Išsiųsime per 12–18 d.d.
A chilling poetic reflection on the world we have inherited and the destructions that made it. To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved's home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars--the Iran-Iraq War of 1980 and the First Gulf War of 1991--and which, after he left, he watched from afar being attac…
  • Leidėjas:
  • ISBN-10: 1803092505
  • ISBN-13: 9781803092508
  • Formatas: 16.1 x 23.5 x 0.3 cm, minkšti viršeliai
  • Kalba: Anglų

Postcards from the Underworld (el. knyga) (skaityta knyga) | knygos.lt

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A chilling poetic reflection on the world we have inherited and the destructions that made it.

To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved's home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars--the Iran-Iraq War of 1980 and the First Gulf War of 1991--and which, after he left, he watched from afar being attacked during the US invasion in 2003. Violence is the source of creation in Antoon's poems, and nature, he shows us, is inundated with death. He is too grim to dream of renewal; the desolation he paints is so complete that death itself trespasses life and mothers weave shrouds for dead men still in their wombs. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes
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  • Autorius: Sinan Antoon
  • Leidėjas:
  • ISBN-10: 1803092505
  • ISBN-13: 9781803092508
  • Formatas: 16.1 x 23.5 x 0.3 cm, minkšti viršeliai
  • Kalba: Anglų

A chilling poetic reflection on the world we have inherited and the destructions that made it.

To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved's home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars--the Iran-Iraq War of 1980 and the First Gulf War of 1991--and which, after he left, he watched from afar being attacked during the US invasion in 2003. Violence is the source of creation in Antoon's poems, and nature, he shows us, is inundated with death. He is too grim to dream of renewal; the desolation he paints is so complete that death itself trespasses life and mothers weave shrouds for dead men still in their wombs. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes

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