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Post-Cinema
Post-Cinema
Knygos.lt klubas Knygos.lt nariams
258,36 €
-30%
Įprastai
369,09 €
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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devic…
  • Leidėjas:
  • ISBN-10: 946372723X
  • ISBN-13: 9789463727235
  • Formatas: 15.8 x 23.6 x 2.8 cm, kieti viršeliai
  • Kalba: Anglų

Post-Cinema (el. knyga) (skaityta knyga) | knygos.lt

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.
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  • Leidėjas:
  • ISBN-10: 946372723X
  • ISBN-13: 9789463727235
  • Formatas: 15.8 x 23.6 x 2.8 cm, kieti viršeliai
  • Kalba: Anglų

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.

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