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Philosophy of the Sky
Philosophy of the Sky
Knygos.lt klubas Knygos.lt nariams
33,73 €
-30%
Įprastai
48,19 €
  • Išsiųsime per 12–18 d.d.
PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction. The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov…
  • Leidėjas:
  • Metai: 2021
  • Puslapiai: 240
  • ISBN-10: 1948687283
  • ISBN-13: 9781948687287
  • Formatas: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

Philosophy of the Sky (el. knyga) (skaityta knyga) | Evan Isoline | knygos.lt

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PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction.

The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.

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  • Autorius: Evan Isoline
  • Leidėjas:
  • Metai: 2021
  • Puslapiai: 240
  • ISBN-10: 1948687283
  • ISBN-13: 9781948687287
  • Formatas: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction.

The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.

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