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Performance and Drama in Ancient Egypt
Performance and Drama in Ancient Egypt
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Performance and Drama in Ancient Egypt examines archaeological and textual materials for evidence of performance-based activities in Egypt from the beginning of the historic period until the later Roman Empire. It takes as its starting point enactments of performance texts from the Graeco-Roman period done by the author's students and examines the widespread vogue for re-enactments on archaeological sites and in the mass media. The book presents an historically-based survey of ancient Egyptian…

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Performance and Drama in Ancient Egypt examines archaeological and textual materials for evidence of performance-based activities in Egypt from the beginning of the historic period until the later Roman Empire. It takes as its starting point enactments of performance texts from the Graeco-Roman period done by the author's students and examines the widespread vogue for re-enactments on archaeological sites and in the mass media.

The book presents an historically-based survey of ancient Egyptian performance activities that relates them to other cultural and historical developments. The materials discussed include texts, visual art, architecture and material culture. The author deals with issues that have been raised in the emerging field of performance archaeology as well as seeking to initiate a discussion on performance in Egyptology and related disciplines.
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Performance and Drama in Ancient Egypt examines archaeological and textual materials for evidence of performance-based activities in Egypt from the beginning of the historic period until the later Roman Empire. It takes as its starting point enactments of performance texts from the Graeco-Roman period done by the author's students and examines the widespread vogue for re-enactments on archaeological sites and in the mass media.

The book presents an historically-based survey of ancient Egyptian performance activities that relates them to other cultural and historical developments. The materials discussed include texts, visual art, architecture and material culture. The author deals with issues that have been raised in the emerging field of performance archaeology as well as seeking to initiate a discussion on performance in Egyptology and related disciplines.

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