With his virtuosic prints of rolling California hills, classically inspired nudes, and natural and manmade forms--from a seashell to his own printing press--Paul Landacre elevated wood engraving to a high art form in twentieth-century America. Landacre's ceaseless stylistic innovation placed his work in dialogue with California contemporaries like Edward Weston and Henrietta Shore; he was, in fact, central to an artistic milieu that has been described as a "small Renaissance, Southern Californi…
With his virtuosic prints of rolling California hills, classically inspired nudes, and natural and manmade forms--from a seashell to his own printing press--Paul Landacre elevated wood engraving to a high art form in twentieth-century America. Landacre's ceaseless stylistic innovation placed his work in dialogue with California contemporaries like Edward Weston and Henrietta Shore; he was, in fact, central to an artistic milieu that has been described as a "small Renaissance, Southern California style." It is fitting, too, that the velvety blacks and dazzling whites of Landacre's prints can recall the images of the silver screen--for the artist's rustic bungalow on a Los Angeles hill was but a stone's throw from Hollywood, and his early patrons and supporters included such luminaries as the director Delmer Daves and the actress Kay Francis.
With his virtuosic prints of rolling California hills, classically inspired nudes, and natural and manmade forms--from a seashell to his own printing press--Paul Landacre elevated wood engraving to a high art form in twentieth-century America. Landacre's ceaseless stylistic innovation placed his work in dialogue with California contemporaries like Edward Weston and Henrietta Shore; he was, in fact, central to an artistic milieu that has been described as a "small Renaissance, Southern California style." It is fitting, too, that the velvety blacks and dazzling whites of Landacre's prints can recall the images of the silver screen--for the artist's rustic bungalow on a Los Angeles hill was but a stone's throw from Hollywood, and his early patrons and supporters included such luminaries as the director Delmer Daves and the actress Kay Francis.
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