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Pass Port
Pass Port
Knygos.lt klubas Knygos.lt nariams
14,76 €
-30%
Įprastai
21,09 €
  • Išsiųsime per 12–18 d.d.
PASS PORT is a travel document--a transcript of the first half of the at-sea installation SOUND((ING))S, which 'maps' two means of crossing one border: by sea across the English Channel, and underneath the seabed through the Channel Tunnel. Bilingual wordplay destabilises two languages used to deny refugees movement across the English-French border. The installation offers the recovery and re-appropriation of sounds from and about the body--the female body in patriarchal language, the disabled…
  • Leidėjas:
  • ISBN-10: 1848616228
  • ISBN-13: 9781848616226
  • Formatas: 14 x 21.6 x 0.3 cm, minkšti viršeliai
  • Kalba: Anglų

Pass Port (el. knyga) (skaityta knyga) | Amy Evans Bauer | knygos.lt

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PASS PORT is a travel document--a transcript of the first half of the at-sea installation SOUND((ING))S, which 'maps' two means of crossing one border: by sea across the English Channel, and underneath the seabed through the Channel Tunnel. Bilingual wordplay destabilises two languages used to deny refugees movement across the English-French border. The installation offers the recovery and re-appropriation of sounds from and about the body--the female body in patriarchal language, the disabled body in an age of austerity and welfare cuts, and the asylum-seeking body within the EU.

"Amy Evans derives her wordplay in part at least from the hermetic and ety­mological linguistic investigations of another modernist poet, H.D. ... --sea/ water/flood puns run through her SOUND((ING))S sequence. They have the effect of being both witty and edgy: edgy in their exploration of the liminal bor­der of land/sea and edgy in conveying a sense of threat both to and from the sea." --Harriet Tarlo, Plumwood Mountain Journal

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  • Autorius: Amy Evans Bauer
  • Leidėjas:
  • ISBN-10: 1848616228
  • ISBN-13: 9781848616226
  • Formatas: 14 x 21.6 x 0.3 cm, minkšti viršeliai
  • Kalba: Anglų

PASS PORT is a travel document--a transcript of the first half of the at-sea installation SOUND((ING))S, which 'maps' two means of crossing one border: by sea across the English Channel, and underneath the seabed through the Channel Tunnel. Bilingual wordplay destabilises two languages used to deny refugees movement across the English-French border. The installation offers the recovery and re-appropriation of sounds from and about the body--the female body in patriarchal language, the disabled body in an age of austerity and welfare cuts, and the asylum-seeking body within the EU.

"Amy Evans derives her wordplay in part at least from the hermetic and ety­mological linguistic investigations of another modernist poet, H.D. ... --sea/ water/flood puns run through her SOUND((ING))S sequence. They have the effect of being both witty and edgy: edgy in their exploration of the liminal bor­der of land/sea and edgy in conveying a sense of threat both to and from the sea." --Harriet Tarlo, Plumwood Mountain Journal

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