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Painting, Poetry, Politics
Painting, Poetry, Politics
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As in the previous collection, Paris has a place in this one, with re-views/essays about various artists, writers, expatriates, editors, and others who were in the city at one time or another. I have to admit that I'm generally looking back in these pieces to the Paris of the 1890s or the 1920s, "golden periods", as they're called, though in a review of poets in translation I do briefly comment on a collection of more-contemporary French left-wing poets. I doubt that they will be familiar to mo…
  • Leidėjas:
  • ISBN-10: 0244079080
  • ISBN-13: 9780244079086
  • Formatas: 15.2 x 22.9 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

Painting, Poetry, Politics (el. knyga) (skaityta knyga) | Jim Burns | knygos.lt

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As in the previous collection, Paris has a place in this one, with re-views/essays about various artists, writers, expatriates, editors, and others who were in the city at one time or another. I have to admit that I'm generally looking back in these pieces to the Paris of the 1890s or the 1920s, "golden periods", as they're called, though in a review of poets in translation I do briefly comment on a collection of more-contemporary French left-wing poets. I doubt that they will be familiar to most British poetry readers, and that seems to me a good reason for reviewing them in the first place, and reprinting the re-view in this book.

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  • Autorius: Jim Burns
  • Leidėjas:
  • ISBN-10: 0244079080
  • ISBN-13: 9780244079086
  • Formatas: 15.2 x 22.9 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

As in the previous collection, Paris has a place in this one, with re-views/essays about various artists, writers, expatriates, editors, and others who were in the city at one time or another. I have to admit that I'm generally looking back in these pieces to the Paris of the 1890s or the 1920s, "golden periods", as they're called, though in a review of poets in translation I do briefly comment on a collection of more-contemporary French left-wing poets. I doubt that they will be familiar to most British poetry readers, and that seems to me a good reason for reviewing them in the first place, and reprinting the re-view in this book.

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