Atsiliepimai
Aprašymas
The temporal travels through Constantinople in 1453, Constantinople in 1923, and Newfoundland and Labrador in 2017, follow a certain recurrence in Orthodox spirituality. The fantastic escape of a priest named Pantagathus, in 1453 Constantinople; the travels of Panagiotis in the evacuation of Constantinople in 1923; and the pursuits of Pete Tsiminis, in 2017-ravel the macrocosm of jest and the senescence of Orthodox heritage together, in a piquant and veritable story. There has not been a story of this type told, with the structural contiguity and with the stark honesty. Otus in Betulceæ does depict a semblance in the disparaged time periods, and the novel does accentuate the unseemliness of time.
The temporal travels through Constantinople in 1453, Constantinople in 1923, and Newfoundland and Labrador in 2017, follow a certain recurrence in Orthodox spirituality. The fantastic escape of a priest named Pantagathus, in 1453 Constantinople; the travels of Panagiotis in the evacuation of Constantinople in 1923; and the pursuits of Pete Tsiminis, in 2017-ravel the macrocosm of jest and the senescence of Orthodox heritage together, in a piquant and veritable story. There has not been a story of this type told, with the structural contiguity and with the stark honesty. Otus in Betulceæ does depict a semblance in the disparaged time periods, and the novel does accentuate the unseemliness of time.
Atsiliepimai