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on | auf
on | auf
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In on | auf the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London.By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object-a visual narrative uncovering issues of memory, identity and perc…
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 84
  • ISBN-10: 3958291961
  • ISBN-13: 9783958291966
  • Formatas: 25.3 x 31.5 x 1.9 cm, kieti viršeliai
  • Kalba: Anglų, Vokiečių
  • -30 % nuolaida šiai knygai su kodu: ENG30

on | auf (el. knyga) (skaityta knyga) | Mikael Olsson | knygos.lt

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In on | auf the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London.
By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object-a visual narrative uncovering issues of memory, identity and perception.
The book includes an essay by author Péter Nádas entitled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography.

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  • Autorius: Mikael Olsson
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 84
  • ISBN-10: 3958291961
  • ISBN-13: 9783958291966
  • Formatas: 25.3 x 31.5 x 1.9 cm, kieti viršeliai
  • Kalba: Anglų, Vokiečių

In on | auf the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London.
By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object-a visual narrative uncovering issues of memory, identity and perception.
The book includes an essay by author Péter Nádas entitled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography.

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