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Ocean of Clouds
Ocean of Clouds
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In his fourth book of poems, award-winning poet Garrett Hongo sees coastlines and waters, skylines and ancestral lines for what they inspire and teach In a surpassingly beautiful collection of poems, with his characteristic long-lined, rolling music, Hongo is alert to the possibilities of individual moments of perception and grace in the landscapes of his life, whether waiting for a ferry in Balboa after a writing workshop ("an oil slick from a yacht . . . /Spread rainbows on the water, an alep…

Ocean of Clouds (el. knyga) (skaityta knyga) | Garrett Hongo | knygos.lt

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In his fourth book of poems, award-winning poet Garrett Hongo sees coastlines and waters, skylines and ancestral lines for what they inspire and teach

In a surpassingly beautiful collection of poems, with his characteristic long-lined, rolling music, Hongo is alert to the possibilities of individual moments of perception and grace in the landscapes of his life, whether waiting for a ferry in Balboa after a writing workshop ("an oil slick from a yacht . . . /Spread rainbows on the water, an aleph / curving towards us") or hanging out and playing LPs with the late great poet Michael Harper, or watching his daughter in the sun with a halo of messy 12-year-old hair, or listening to the sea, which speaks to him in so many places: at the Wai'opae Tidepools, at Anzio, at Divi Bay in Saint Martin, where, he tells us, "I thought of writing to the soul of Nazim himet, / saying loving a woman was like writing a book--/ that you must do it every day and not forget."

These poems of cloudy moons and sandstones cliffsides, black glass shattered onto sands, waves surging, and stories of a poet's gratitude for the journey he has made, come together to make a paean against forgetting.
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In his fourth book of poems, award-winning poet Garrett Hongo sees coastlines and waters, skylines and ancestral lines for what they inspire and teach

In a surpassingly beautiful collection of poems, with his characteristic long-lined, rolling music, Hongo is alert to the possibilities of individual moments of perception and grace in the landscapes of his life, whether waiting for a ferry in Balboa after a writing workshop ("an oil slick from a yacht . . . /Spread rainbows on the water, an aleph / curving towards us") or hanging out and playing LPs with the late great poet Michael Harper, or watching his daughter in the sun with a halo of messy 12-year-old hair, or listening to the sea, which speaks to him in so many places: at the Wai'opae Tidepools, at Anzio, at Divi Bay in Saint Martin, where, he tells us, "I thought of writing to the soul of Nazim himet, / saying loving a woman was like writing a book--/ that you must do it every day and not forget."

These poems of cloudy moons and sandstones cliffsides, black glass shattered onto sands, waves surging, and stories of a poet's gratitude for the journey he has made, come together to make a paean against forgetting.

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