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- Autorius: Michael Baumgartner
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190497165
- ISBN-13: 9780190497163
- Formatas: 15.7 x 23.6 x 2.7 cm, minkšti viršeliai
- Kalba: Anglų
Metafilm Music in Jean-Luc Godard's Cinema (el. knyga) (skaityta knyga) | knygos.lt
Atsiliepimai
Aprašymas
Hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, Jean-Luc Godard is a prominent pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image, but his achievements in sound have been largely
overlooked. Such a lacuna in the extensive research on Godard's work is unfortunate, as Godard's lifelong preoccupation of exploring self-reflexively all aspects of filmmaking particularly affects film music. With the novel approach of metafilm music, extrapolated from Jean-Luc Godard's oeuvre, this
book not only closes up a crucial gap in Godard research, but also offers detailed analyses of the music as metafilm music in Contempt, Alphaville, Band of Outsiders, Pierrot le fou, First Name: Carmen, Histoire(s) du cinéma, among other films and video productions. The innovative scholarly concept
of metafilm music, enriching the burgeoning field of music in audio-visual media, describes how Godard thinks about film music with film music. This book thus provides a thorough examination of Godard's self-reflexive approach to film music which has resulted in a lifelong creation of multi-layered
soundtracks pushing the envelope of film music and sound to the limit.
- Autorius: Michael Baumgartner
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190497165
- ISBN-13: 9780190497163
- Formatas: 15.7 x 23.6 x 2.7 cm, minkšti viršeliai
- Kalba: Anglų
Hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, Jean-Luc Godard is a prominent pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image, but his achievements in sound have been largely
overlooked. Such a lacuna in the extensive research on Godard's work is unfortunate, as Godard's lifelong preoccupation of exploring self-reflexively all aspects of filmmaking particularly affects film music. With the novel approach of metafilm music, extrapolated from Jean-Luc Godard's oeuvre, this
book not only closes up a crucial gap in Godard research, but also offers detailed analyses of the music as metafilm music in Contempt, Alphaville, Band of Outsiders, Pierrot le fou, First Name: Carmen, Histoire(s) du cinéma, among other films and video productions. The innovative scholarly concept
of metafilm music, enriching the burgeoning field of music in audio-visual media, describes how Godard thinks about film music with film music. This book thus provides a thorough examination of Godard's self-reflexive approach to film music which has resulted in a lifelong creation of multi-layered
soundtracks pushing the envelope of film music and sound to the limit.
Atsiliepimai