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Media Houses; Architecture, Media, and the Production of Centrality
Media Houses; Architecture, Media, and the Production of Centrality
Knygos.lt klubas Knygos.lt nariams
255,07 €
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In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough - some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world's major media institutions. Paradoxically, as material and aesthetic manifestations of mediated centers of power, they provide sites to the siteless and solidity to the immaterial. The authors…
  • Leidėjas:
  • ISBN-10: 1433105845
  • ISBN-13: 9781433105845
  • Formatas: 15 x 22.4 x 1.8 cm, kieti viršeliai
  • Kalba: Anglų

Media Houses; Architecture, Media, and the Production of Centrality (el. knyga) (skaityta knyga) | knygos.lt

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In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough - some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world's major media institutions. Paradoxically, as material and aesthetic manifestations of mediated centers of power, they provide sites to the siteless and solidity to the immaterial. The authors analyse the ways that architectural form and organization reflect different eras, media technologies, ideologies, and relations with the public in media houses from New York and Silicon Valley to London, Moscow, and Beijing.

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  • Leidėjas:
  • ISBN-10: 1433105845
  • ISBN-13: 9781433105845
  • Formatas: 15 x 22.4 x 1.8 cm, kieti viršeliai
  • Kalba: Anglų

In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough - some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world's major media institutions. Paradoxically, as material and aesthetic manifestations of mediated centers of power, they provide sites to the siteless and solidity to the immaterial. The authors analyse the ways that architectural form and organization reflect different eras, media technologies, ideologies, and relations with the public in media houses from New York and Silicon Valley to London, Moscow, and Beijing.

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