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Manottama
Manottama
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Published in 1868, Manottama is the first Bengali novel written by an unnamed Bengali woman identifying herself as 'A Woman belonging to the Hindu Lineage, ' which is technically not a pseudonym. Somehow evading the attention of literary historians, the text, or any detailed information about it was unavailable for a long time till it was unearthed by a researcher in London only in 2010. The subject of this novel is interesting because it tells us about the pitfalls of female education in the n…

Manottama (el. knyga) (skaityta knyga) | knygos.lt

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Published in 1868, Manottama is the first Bengali novel written by an unnamed Bengali woman identifying herself as 'A Woman belonging to the Hindu Lineage, ' which is technically not a pseudonym. Somehow evading the attention of literary historians, the text, or any detailed information about it was unavailable for a long time till it was unearthed by a researcher in London only in 2010. The subject of this novel is interesting because it tells us about the pitfalls of female education in the nineteenth century, a period that also saw the emancipation of Bengali women through education in a significant way. Written in the traditional Indian Puranic style of narration, with plenty of sub-plots and digression and without conforming to the western dictates of unity of time, place, and action, it provides a domestic picture where an educated wife has to compromise with the activities and worldview of an uneducated husband. A rudimentary attack on patriarchy, the slim novel needs greater attention now after more than a century of neglect

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Published in 1868, Manottama is the first Bengali novel written by an unnamed Bengali woman identifying herself as 'A Woman belonging to the Hindu Lineage, ' which is technically not a pseudonym. Somehow evading the attention of literary historians, the text, or any detailed information about it was unavailable for a long time till it was unearthed by a researcher in London only in 2010. The subject of this novel is interesting because it tells us about the pitfalls of female education in the nineteenth century, a period that also saw the emancipation of Bengali women through education in a significant way. Written in the traditional Indian Puranic style of narration, with plenty of sub-plots and digression and without conforming to the western dictates of unity of time, place, and action, it provides a domestic picture where an educated wife has to compromise with the activities and worldview of an uneducated husband. A rudimentary attack on patriarchy, the slim novel needs greater attention now after more than a century of neglect

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