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Look to Your Left
Look to Your Left
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The essays in the collection examine, from a variety of perspectives and conceptual standpoints, the ways performative language in contemporary poetry can be politically charged. The poetic text, then, becomes a spectacle, which ultimately renegotiates the power dynamics implicit in the simple act of looking. As the language unfolds before the reader, they are involved and implicated in a revision of what is and what always has been an unequal share of power on the stage of textual authorship a…

Look to Your Left (el. knyga) (skaityta knyga) | knygos.lt

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The essays in the collection examine, from a variety of perspectives and conceptual standpoints, the ways performative language in contemporary poetry can be politically charged. The poetic text, then, becomes a spectacle, which ultimately renegotiates the power dynamics implicit in the simple act of looking. As the language unfolds before the reader, they are involved and implicated in a revision of what is and what always has been an unequal share of power on the stage of textual authorship and readerly interpretation. In Look to Your Left: A Feminist Poetics of Spectacle, Darling grounds these ambitious theoretical discussions (and interventions) in poetry by women, non-binary writers, and writers of color, with a particular emphasis on texts that have been heretofore undertheorized.

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The essays in the collection examine, from a variety of perspectives and conceptual standpoints, the ways performative language in contemporary poetry can be politically charged. The poetic text, then, becomes a spectacle, which ultimately renegotiates the power dynamics implicit in the simple act of looking. As the language unfolds before the reader, they are involved and implicated in a revision of what is and what always has been an unequal share of power on the stage of textual authorship and readerly interpretation. In Look to Your Left: A Feminist Poetics of Spectacle, Darling grounds these ambitious theoretical discussions (and interventions) in poetry by women, non-binary writers, and writers of color, with a particular emphasis on texts that have been heretofore undertheorized.

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