Lithuanian painting 1960-2013
Lithuanian painting 1960-2013
2
  • Išparduota
Aimed at both Lithuanian and foreign audiences alike, this album presents the finest work by young artists tracing the evolution of Lithuanian painting from the revival of modernist painting in 1960 to the present day, showcasing 358 paintings by 91 artists from the Modern Art Center’s collection. Collection curator Dr. Raminta Jurėnaitė opens this album with a comprehensive introduction to  the evolution of painting in Lithuania, a discussion of the creative context of certain historically si…
0

Lithuanian painting 1960-2013 | knygos.lt

Atsiliepimai

Aprašymas

Aimed at both Lithuanian and foreign audiences alike, this album presents the finest work by young artists tracing the evolution of Lithuanian painting from the revival of modernist painting in 1960 to the present day, showcasing 358 paintings by 91 artists from the Modern Art Center’s collection.

Collection curator Dr. Raminta Jurėnaitė opens this album with a comprehensive introduction to  the evolution of painting in Lithuania, a discussion of the creative context of certain historically significant pieces, and an overview of the artistic movements and trends that characterized each decade reviewed. Focus is devoted here on the individual contributions of each artist, as well as a revealing look into the relationships between various artistic groups: opposing and uniting, formal and informal.

In preparation for this publication, renowned art critics from abroad were also invited to acquaint themselves with the collection presented here. Three foreign art critics and curators contributed essays on Lithuanian painting for this album: Edward Lucie-Smith, of the United Kingdom, a leading authority on art criticism and contemporary art and the author of a series of popular books on art that have been translated into many foreign languages;  Eckhart Gillen, of Germany, recognized art historian and internationally acclaimed exhibition curator; and Krzysztof Stanisławski, renowned critic of Polish contemporary art and film and curator of numerous Polish and Lithuanian art exhibitions. These essays contribute new insights from the global art scene into ongoing Lithuanian art history research. It is our hope that readers will find this material to be an interesting and useful educational tool to understand how Lithuanian art is being received in an international context.

We begin the album with the works of three artists who were the anchors of classical inter-war modernism — Antanas Gudaitis, Leonas Katinas and Algirdas Petrulis, and then continue with the creative contributions of Jonas Švažas and his generation of artists of the 1960s. This is followed by the works of Povilas Ričardas Vaitiekūnas and his circle of artists, paintings by Kostas Dereškevičius, Arvydas Šaltenis, and Algimantas Jonas Kuras, and finally the artistic contribution of the newest generation of artists, born after 1980. The album displays work not only from the two main Lithuanian art hubs — Vilnius and Kaunas — but also the creations of artists living and working in smaller cities and towns. Also included here are artistic contributions from the minority ethnic communities residing in Lithuania. The album concludes with the biographies of 91 artists, with a listing of their more significant exhibitions.

Until now, no single album, book or directory has been published in Lithuania that presented a comprehensive review of the evolution of Lithuanian painting over the past five decades. It is our hope that this publication, with its wealth of reproductions and its broad overview of such a large number of talented painters, will promote new interest in Lithuanian painting among art lovers, while encouraging those already familiar with it to delve deeper into its history.

A portion of this album’s circulation will be published in English to increase awareness of Lithuanian art among critics, curators, museum professionals, collectors and art lovers abroad. We are also confident that this album will serve as a wonderful educational tool in our centers of learning..

Aimed at both Lithuanian and foreign audiences alike, this album presents the finest work by young artists tracing the evolution of Lithuanian painting from the revival of modernist painting in 1960 to the present day, showcasing 358 paintings by 91 artists from the Modern Art Center’s collection.

Collection curator Dr. Raminta Jurėnaitė opens this album with a comprehensive introduction to the evolution of painting in Lithuania, a discussion of the creative context of certain historically significant pieces, and an overview of the artistic movements and trends that characterized each decade reviewed. Focus is devoted here on the individual contributions of each artist, as well as a revealing look into the relationships between various artistic groups: opposing and uniting, formal and informal.

In preparation for this publication, renowned art critics from abroad were also invited to acquaint themselves with the collection presented here. Three foreign art critics and curators contributed essays on Lithuanian painting for this album: Edward Lucie-Smith, of the United Kingdom, a leading authority on art criticism and contemporary art and the author of a series of popular books on art that have been translated into many foreign languages; Eckhart Gillen, of Germany, recognized art historian and internationally acclaimed exhibition curator; and Krzysztof Stanisławski, renowned critic of Polish contemporary art and film and curator of numerous Polish and Lithuanian art exhibitions. These essays contribute new insights from the global art scene into ongoing Lithuanian art history research. It is our hope that readers will find this material to be an interesting and useful educational tool to understand how Lithuanian art is being received in an international context.

We begin the album with the works of three artists who were the anchors of classical inter-war modernism — Antanas Gudaitis, Leonas Katinas and Algirdas Petrulis, and then continue with the creative contributions of Jonas Švažas and his generation of artists of the 1960s. This is followed by the works of Povilas Ričardas Vaitiekūnas and his circle of artists, paintings by Kostas Dereškevičius, Arvydas Šaltenis, and Algimantas Jonas Kuras, and finally the artistic contribution of the newest generation of artists, born after 1980. The album displays work not only from the two main Lithuanian art hubs — Vilnius and Kaunas — but also the creations of artists living and working in smaller cities and towns. Also included here are artistic contributions from the minority ethnic communities residing in Lithuania. The album concludes with the biographies of 91 artists, with a listing of their more significant exhibitions.

Until now, no single album, book or directory has been published in Lithuania that presented a comprehensive review of the evolution of Lithuanian painting over the past five decades. It is our hope that this publication, with its wealth of reproductions and its broad overview of such a large number of talented painters, will promote new interest in Lithuanian painting among art lovers, while encouraging those already familiar with it to delve deeper into its history.

This attractive publication will be beneficial not only to the community of artists and art critics, but will also, we hope, be of interest to the public at large. This album is part of the continuing effort of the Modern Art Center to develop the artistic education of children and adults, and to record, preserve and promote the creative legacy of Lithuania’s most talented artists, thereby encouraging our society’s pride in its culture and the strengthening of the Lithuanian identity.

Albume šalies ir užsienio publikai pristatoma Lietuvos tapybos raida nuo 1960 m. prasidėjusio modernistinės tapybos atgimimo iki šių dienų geriausių jaunųjų tapytojų kūrinių. Publikuojami 91 tapytojo 358 paveikslai iš Modernaus meno centro kolekcijos rinkinio.

Kolekcijos kuratorė prof. dr. Raminta Jurėnaitė išsamiame įvadiniame straipsnyje skaitytojus supažindina su lietuvių tapybos raidos ypatumais, istoriniu kūrinių atsiradimo kontekstu, aptaria kiekvienam dešimtmečiui būdingus meno judėjimus bei kryptis. Dėmesys skiriamas kūrėjų individualiam įnašui, taip pat atskleisti ryšius tarp oponuojančių ir besivienijančių, neformalių bei formalių menininkų grupių.

Ruošiant leidinį su kolekcijos tapybos rinkiniu buvo supažindinti žinomi kitų šalių dailės kritikai. Specialiai šiam albumui esė apie lietuvišką tapybą parašė trys užsienio meno tyrinėtojai, kuratoriai: vienas didžiausių menotyros autoritetų, šiuolaikinio meno ekspertas, populiarių knygų, išleistų daugeliu pasaulio kalbų, autorius – britas Edwardas Lucie-Smithas; pripažintas meno tyrinėtojas, tarptautinio įvertinimo kaip parodų kuratorius sulaukęs, vokiečių meno istorikas Eckhartas Gillenas; žinomas lenkų šiuolaikinio meno ir kino kritikas, daugelio lenkų ir lietuvių menininkų parodų kuratorius Krzysztofas Stanisławskis. Šios esė papildo lietuvių menotyros tyrimus naujomis pasaulinės meno scenos pažinimo įžvalgomis. Skaitytojui bus įdomu bei edukaciniu požiūriu naudinga suvokti, kaip lietuvių menas vertinamas pasauliniame kontekste.

Albumas pradedamas klasikinį tarpukario modernizmą įtvirtinusių Antano Gudaičio, Leono Katino ir Algirdo Petrulio darbais ir tęsiamas 7-ojo deš. Jono Švažo kartos menininkų kūryba. Po to seka Povilo Ričardo Vaitiekūno rato ir Kosto Dereškevičiaus, Arvydo Šaltenio, Algimanto Jono Kuro kūriniai, ir taip iki pačių jauniausiųjų, gimusių po 1980 metų. Į leidinį įtraukti ne tik dviejuose meno centruose – Vilniuje ir Kaune, – bet ir mažesniuose Lietuvos miestuose bei miesteliuose kuriančių menininkų paveikslai. Knygoje pristatomas ir Lietuvoje kuriančių tautinių mažumų įnašas. Leidinyje taip pat pateikiama 91 tapytojo biografija ir jų pagrindinių parodų sąrašai.

Kol kas Lietuvoje nebuvo išleistas nė vienas albumas, knyga ar žinynas, kuris perteiktų visą pastarųjų penkių dešimtmečių Lietuvos tapybos raidą. Tikimės, kad šis reprezentatyvus, turtingas gausių reprodukcijų, didelį skaičių talentingų tapytojų pristatantis leidinys bus pravartus, kad besidomintieji Lietuvos tapyba į ją labiau įsigilintų, taip pat, kad būtų paskatintas naujų meno mylėtojų susidomėjimas.

Dalis tiražo bus išleista anglų kalba tikintis sulaukti didesnio dėmesio iš kritikų, parodų kuratorių, muziejų vadovų, kolekcionierių ir plačiosios visuomenės užsienyje. Tapybos albumas bus ir puiki edukacinė priemonė mokymo įstaigose.

Patraukliai parengtas leidinys bus naudingas ne tik menininkų ir menotyrininkų bendruomenei, bet neabejotinai bus įdomus ir plačiajai visuomenei. Šis leidinys yra dalis Modernaus meno centro tęstinio projekto, kurio tikslai – plėtoti vaikų ir suaugusiųjų meninę edukaciją, fiksuoti, išsaugoti ir populiarinti geriausių Lietuvos menininkų kūrybinį paveldą, taip pat skatinti visuomenės pasididžiavimą savo kultūra ir stiprinti lietuviškąjį identitetą.

Išparduota

Turi egzempliorių? Parduok!


Aimed at both Lithuanian and foreign audiences alike, this album presents the finest work by young artists tracing the evolution of Lithuanian painting from the revival of modernist painting in 1960 to the present day, showcasing 358 paintings by 91 artists from the Modern Art Center’s collection.

Collection curator Dr. Raminta Jurėnaitė opens this album with a comprehensive introduction to  the evolution of painting in Lithuania, a discussion of the creative context of certain historically significant pieces, and an overview of the artistic movements and trends that characterized each decade reviewed. Focus is devoted here on the individual contributions of each artist, as well as a revealing look into the relationships between various artistic groups: opposing and uniting, formal and informal.

In preparation for this publication, renowned art critics from abroad were also invited to acquaint themselves with the collection presented here. Three foreign art critics and curators contributed essays on Lithuanian painting for this album: Edward Lucie-Smith, of the United Kingdom, a leading authority on art criticism and contemporary art and the author of a series of popular books on art that have been translated into many foreign languages;  Eckhart Gillen, of Germany, recognized art historian and internationally acclaimed exhibition curator; and Krzysztof Stanisławski, renowned critic of Polish contemporary art and film and curator of numerous Polish and Lithuanian art exhibitions. These essays contribute new insights from the global art scene into ongoing Lithuanian art history research. It is our hope that readers will find this material to be an interesting and useful educational tool to understand how Lithuanian art is being received in an international context.

We begin the album with the works of three artists who were the anchors of classical inter-war modernism — Antanas Gudaitis, Leonas Katinas and Algirdas Petrulis, and then continue with the creative contributions of Jonas Švažas and his generation of artists of the 1960s. This is followed by the works of Povilas Ričardas Vaitiekūnas and his circle of artists, paintings by Kostas Dereškevičius, Arvydas Šaltenis, and Algimantas Jonas Kuras, and finally the artistic contribution of the newest generation of artists, born after 1980. The album displays work not only from the two main Lithuanian art hubs — Vilnius and Kaunas — but also the creations of artists living and working in smaller cities and towns. Also included here are artistic contributions from the minority ethnic communities residing in Lithuania. The album concludes with the biographies of 91 artists, with a listing of their more significant exhibitions.

Until now, no single album, book or directory has been published in Lithuania that presented a comprehensive review of the evolution of Lithuanian painting over the past five decades. It is our hope that this publication, with its wealth of reproductions and its broad overview of such a large number of talented painters, will promote new interest in Lithuanian painting among art lovers, while encouraging those already familiar with it to delve deeper into its history.

A portion of this album’s circulation will be published in English to increase awareness of Lithuanian art among critics, curators, museum professionals, collectors and art lovers abroad. We are also confident that this album will serve as a wonderful educational tool in our centers of learning..

Aimed at both Lithuanian and foreign audiences alike, this album presents the finest work by young artists tracing the evolution of Lithuanian painting from the revival of modernist painting in 1960 to the present day, showcasing 358 paintings by 91 artists from the Modern Art Center’s collection.

Collection curator Dr. Raminta Jurėnaitė opens this album with a comprehensive introduction to the evolution of painting in Lithuania, a discussion of the creative context of certain historically significant pieces, and an overview of the artistic movements and trends that characterized each decade reviewed. Focus is devoted here on the individual contributions of each artist, as well as a revealing look into the relationships between various artistic groups: opposing and uniting, formal and informal.

In preparation for this publication, renowned art critics from abroad were also invited to acquaint themselves with the collection presented here. Three foreign art critics and curators contributed essays on Lithuanian painting for this album: Edward Lucie-Smith, of the United Kingdom, a leading authority on art criticism and contemporary art and the author of a series of popular books on art that have been translated into many foreign languages; Eckhart Gillen, of Germany, recognized art historian and internationally acclaimed exhibition curator; and Krzysztof Stanisławski, renowned critic of Polish contemporary art and film and curator of numerous Polish and Lithuanian art exhibitions. These essays contribute new insights from the global art scene into ongoing Lithuanian art history research. It is our hope that readers will find this material to be an interesting and useful educational tool to understand how Lithuanian art is being received in an international context.

We begin the album with the works of three artists who were the anchors of classical inter-war modernism — Antanas Gudaitis, Leonas Katinas and Algirdas Petrulis, and then continue with the creative contributions of Jonas Švažas and his generation of artists of the 1960s. This is followed by the works of Povilas Ričardas Vaitiekūnas and his circle of artists, paintings by Kostas Dereškevičius, Arvydas Šaltenis, and Algimantas Jonas Kuras, and finally the artistic contribution of the newest generation of artists, born after 1980. The album displays work not only from the two main Lithuanian art hubs — Vilnius and Kaunas — but also the creations of artists living and working in smaller cities and towns. Also included here are artistic contributions from the minority ethnic communities residing in Lithuania. The album concludes with the biographies of 91 artists, with a listing of their more significant exhibitions.

Until now, no single album, book or directory has been published in Lithuania that presented a comprehensive review of the evolution of Lithuanian painting over the past five decades. It is our hope that this publication, with its wealth of reproductions and its broad overview of such a large number of talented painters, will promote new interest in Lithuanian painting among art lovers, while encouraging those already familiar with it to delve deeper into its history.

This attractive publication will be beneficial not only to the community of artists and art critics, but will also, we hope, be of interest to the public at large. This album is part of the continuing effort of the Modern Art Center to develop the artistic education of children and adults, and to record, preserve and promote the creative legacy of Lithuania’s most talented artists, thereby encouraging our society’s pride in its culture and the strengthening of the Lithuanian identity.

Albume šalies ir užsienio publikai pristatoma Lietuvos tapybos raida nuo 1960 m. prasidėjusio modernistinės tapybos atgimimo iki šių dienų geriausių jaunųjų tapytojų kūrinių. Publikuojami 91 tapytojo 358 paveikslai iš Modernaus meno centro kolekcijos rinkinio.

Kolekcijos kuratorė prof. dr. Raminta Jurėnaitė išsamiame įvadiniame straipsnyje skaitytojus supažindina su lietuvių tapybos raidos ypatumais, istoriniu kūrinių atsiradimo kontekstu, aptaria kiekvienam dešimtmečiui būdingus meno judėjimus bei kryptis. Dėmesys skiriamas kūrėjų individualiam įnašui, taip pat atskleisti ryšius tarp oponuojančių ir besivienijančių, neformalių bei formalių menininkų grupių.

Ruošiant leidinį su kolekcijos tapybos rinkiniu buvo supažindinti žinomi kitų šalių dailės kritikai. Specialiai šiam albumui esė apie lietuvišką tapybą parašė trys užsienio meno tyrinėtojai, kuratoriai: vienas didžiausių menotyros autoritetų, šiuolaikinio meno ekspertas, populiarių knygų, išleistų daugeliu pasaulio kalbų, autorius – britas Edwardas Lucie-Smithas; pripažintas meno tyrinėtojas, tarptautinio įvertinimo kaip parodų kuratorius sulaukęs, vokiečių meno istorikas Eckhartas Gillenas; žinomas lenkų šiuolaikinio meno ir kino kritikas, daugelio lenkų ir lietuvių menininkų parodų kuratorius Krzysztofas Stanisławskis. Šios esė papildo lietuvių menotyros tyrimus naujomis pasaulinės meno scenos pažinimo įžvalgomis. Skaitytojui bus įdomu bei edukaciniu požiūriu naudinga suvokti, kaip lietuvių menas vertinamas pasauliniame kontekste.

Albumas pradedamas klasikinį tarpukario modernizmą įtvirtinusių Antano Gudaičio, Leono Katino ir Algirdo Petrulio darbais ir tęsiamas 7-ojo deš. Jono Švažo kartos menininkų kūryba. Po to seka Povilo Ričardo Vaitiekūno rato ir Kosto Dereškevičiaus, Arvydo Šaltenio, Algimanto Jono Kuro kūriniai, ir taip iki pačių jauniausiųjų, gimusių po 1980 metų. Į leidinį įtraukti ne tik dviejuose meno centruose – Vilniuje ir Kaune, – bet ir mažesniuose Lietuvos miestuose bei miesteliuose kuriančių menininkų paveikslai. Knygoje pristatomas ir Lietuvoje kuriančių tautinių mažumų įnašas. Leidinyje taip pat pateikiama 91 tapytojo biografija ir jų pagrindinių parodų sąrašai.

Kol kas Lietuvoje nebuvo išleistas nė vienas albumas, knyga ar žinynas, kuris perteiktų visą pastarųjų penkių dešimtmečių Lietuvos tapybos raidą. Tikimės, kad šis reprezentatyvus, turtingas gausių reprodukcijų, didelį skaičių talentingų tapytojų pristatantis leidinys bus pravartus, kad besidomintieji Lietuvos tapyba į ją labiau įsigilintų, taip pat, kad būtų paskatintas naujų meno mylėtojų susidomėjimas.

Dalis tiražo bus išleista anglų kalba tikintis sulaukti didesnio dėmesio iš kritikų, parodų kuratorių, muziejų vadovų, kolekcionierių ir plačiosios visuomenės užsienyje. Tapybos albumas bus ir puiki edukacinė priemonė mokymo įstaigose.

Patraukliai parengtas leidinys bus naudingas ne tik menininkų ir menotyrininkų bendruomenei, bet neabejotinai bus įdomus ir plačiajai visuomenei. Šis leidinys yra dalis Modernaus meno centro tęstinio projekto, kurio tikslai – plėtoti vaikų ir suaugusiųjų meninę edukaciją, fiksuoti, išsaugoti ir populiarinti geriausių Lietuvos menininkų kūrybinį paveldą, taip pat skatinti visuomenės pasididžiavimą savo kultūra ir stiprinti lietuviškąjį identitetą.

Atsiliepimai

  • Atsiliepimų nėra
2 pirkėjai įvertino šią prekę.
5
0%
4
0%
3
0%
2
0%
1
0%