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Letters from the Takeaway
Letters from the Takeaway
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'Khaled Hakim is the great lost British experimental writer of the last quarter century. I believe that his importance ... lies in the fact that he brings a powerful and original set of ingredients to the most important kind of contemporary poetry. His film-making background and engagement with the work of Stan Brakhage changed the speed and the angle of his L=A=N=G=U=A=G=E-polarized poetry. He was the only UK poet to work with David Antin's conversational poetics. His Brummie-styled phonetic w…
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 106
  • ISBN-10: 1848616376
  • ISBN-13: 9781848616370
  • Formatas: 14 x 21.6 x 0.7 cm, minkšti viršeliai
  • Kalba: Anglų

Letters from the Takeaway (el. knyga) (skaityta knyga) | knygos.lt

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'Khaled Hakim is the great lost British experimental writer of the last quarter century. I believe that his importance ... lies in the fact that he brings a powerful and original set of ingredients to the most important kind of contemporary poetry. His film-making background and engagement with the work of Stan Brakhage changed the speed and the angle of his L=A=N=G=U=A=G=E-polarized poetry. He was the only UK poet to work with David Antin's conversational poetics. His Brummie-styled phonetic writing drew parallels with the similarly individual universes of Tom Leonard and bill bissett, and his class and colour were--and still are, of course--important. The conversations that his writing and being sparked in the 1990s have never really been followed through in British poetry.' -- Tim Atkins, from the Foreword to this volume

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  • Autorius: Khaled Hakim
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 106
  • ISBN-10: 1848616376
  • ISBN-13: 9781848616370
  • Formatas: 14 x 21.6 x 0.7 cm, minkšti viršeliai
  • Kalba: Anglų

'Khaled Hakim is the great lost British experimental writer of the last quarter century. I believe that his importance ... lies in the fact that he brings a powerful and original set of ingredients to the most important kind of contemporary poetry. His film-making background and engagement with the work of Stan Brakhage changed the speed and the angle of his L=A=N=G=U=A=G=E-polarized poetry. He was the only UK poet to work with David Antin's conversational poetics. His Brummie-styled phonetic writing drew parallels with the similarly individual universes of Tom Leonard and bill bissett, and his class and colour were--and still are, of course--important. The conversations that his writing and being sparked in the 1990s have never really been followed through in British poetry.' -- Tim Atkins, from the Foreword to this volume

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