41,22 €
48,49 €
-15% su kodu: ENG15
Jesus Thesis and Other Critical Fabulations: Poems by Kopano Maroga
Jesus Thesis and Other Critical Fabulations: Poems by Kopano Maroga
41,22 €
48,49 €
  • Išsiųsime per 10–14 d.d.
In a provocative yet unexpectedly tender debut, Kopano Maroga immerses themself in Christian myth and mystery, emerging reborn.In a riotous, innovative and unapologetic display of self-exposure, self-examination and self-love, Maroga appropriates and creates a (sometimes literal) collage of religious imagery, sexual want, and embodiedness - eventually widening their gaze to encompass the realities faced by black, queer, femme and trans folk in South Africa and further afield. Indeed, these are…
41.22 2025-09-21 23:59:00
  • Autorius: Kopano Maroga
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 104
  • ISBN-10: 1990968651
  • ISBN-13: 9781990968655
  • Formatas: 13.3 x 20.3 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų
  • Extra -15 % nuolaida šiai knygai su kodu: ENG15

Jesus Thesis and Other Critical Fabulations: Poems by Kopano Maroga (el. knyga) (skaityta knyga) | knygos.lt

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In a provocative yet unexpectedly tender debut, Kopano Maroga immerses themself in Christian myth and mystery, emerging reborn.

In a riotous, innovative and unapologetic display of self-exposure, self-examination and self-love, Maroga appropriates and creates a (sometimes literal) collage of religious imagery, sexual want, and embodiedness - eventually widening their gaze to encompass the realities faced by black, queer, femme and trans folk in South Africa and further afield. Indeed, these are poems of pain, loss, introspection, and regret; but they are also works of great and usual beauty, depth, desire, and ambition - in sum, the evidence of a powerful new voice in South African poetry.

EXTRA 15 % nuolaida su kodu: ENG15

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In a provocative yet unexpectedly tender debut, Kopano Maroga immerses themself in Christian myth and mystery, emerging reborn.

In a riotous, innovative and unapologetic display of self-exposure, self-examination and self-love, Maroga appropriates and creates a (sometimes literal) collage of religious imagery, sexual want, and embodiedness - eventually widening their gaze to encompass the realities faced by black, queer, femme and trans folk in South Africa and further afield. Indeed, these are poems of pain, loss, introspection, and regret; but they are also works of great and usual beauty, depth, desire, and ambition - in sum, the evidence of a powerful new voice in South African poetry.

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