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Italian Harpsichord-Building in the 16th and 17th Centuries - Fully Illustrated
Italian Harpsichord-Building in the 16th and 17th Centuries - Fully Illustrated
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This edition comes fully illustrated. From the introduction to the book: "The making of harpsichords flourished in Italy throughout the 16th and 17th centuries. The Italian instruments were of simpler construction than those built by the North Europeans, and they lacked the familiar second manual and array of stops. In this paper, typical examples of Italian harpsichords from the Hugo Worch Collection in the United States National Museum are described in detail and illustrated. Also, the author…
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 38
  • ISBN-10: 1781390002
  • ISBN-13: 9781781390009
  • Formatas: 15.2 x 22.9 x 0.6 cm, kieti viršeliai
  • Kalba: Anglų

Italian Harpsichord-Building in the 16th and 17th Centuries - Fully Illustrated (el. knyga) (skaityta knyga) | knygos.lt

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This edition comes fully illustrated. From the introduction to the book: "The making of harpsichords flourished in Italy throughout the 16th and 17th centuries. The Italian instruments were of simpler construction than those built by the North Europeans, and they lacked the familiar second manual and array of stops. In this paper, typical examples of Italian harpsichords from the Hugo Worch Collection in the United States National Museum are described in detail and illustrated. Also, the author offers an explanation for certain puzzling variations in keyboard ranges and vibrating lengths of strings of the Italian harpsichords. The Author: John D. Shortridge is associate curator of cultural history in the United States National Museum, Smithsonian Institution."

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  • Autorius: John D Shortridge
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 38
  • ISBN-10: 1781390002
  • ISBN-13: 9781781390009
  • Formatas: 15.2 x 22.9 x 0.6 cm, kieti viršeliai
  • Kalba: Anglų

This edition comes fully illustrated. From the introduction to the book: "The making of harpsichords flourished in Italy throughout the 16th and 17th centuries. The Italian instruments were of simpler construction than those built by the North Europeans, and they lacked the familiar second manual and array of stops. In this paper, typical examples of Italian harpsichords from the Hugo Worch Collection in the United States National Museum are described in detail and illustrated. Also, the author offers an explanation for certain puzzling variations in keyboard ranges and vibrating lengths of strings of the Italian harpsichords. The Author: John D. Shortridge is associate curator of cultural history in the United States National Museum, Smithsonian Institution."

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