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In the Aftermath
In the Aftermath
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From the prolific, profound pen of David Bentley Hart comes this collection of essays, reviews, and columns published in popular journals and newspapers over the past few years, comprising observations on culture, religion, and society at large. In the Aftermath fully displays the virtuosic prose that readers have come to expect from Hart. "Here I want -- at least in part -- to entertain. This is not to say that the pieces gathered here are not serious in their arguments; quite the contrary. .…

In the Aftermath (el. knyga) (skaityta knyga) | David Bentley Hart | knygos.lt

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From the prolific, profound pen of David Bentley Hart comes this collection of essays, reviews, and columns published in popular journals and newspapers over the past few years, comprising observations on culture, religion, and society at large. In the Aftermath fully displays the virtuosic prose that readers have come to expect from Hart.

"Here I want -- at least in part -- to entertain. This is not to say that the pieces gathered here are not serious in their arguments; quite the contrary. . . . I mean only that, in these articles, I have given my natural inclinations towards satire and towards wantonly profligate turns of phrase far freer rein than academic writing permits. . . . I have, at any rate, attempted to include only pieces that strike me as having some intrinsic interest, both in form and in content."
-- from the introduction
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From the prolific, profound pen of David Bentley Hart comes this collection of essays, reviews, and columns published in popular journals and newspapers over the past few years, comprising observations on culture, religion, and society at large. In the Aftermath fully displays the virtuosic prose that readers have come to expect from Hart.

"Here I want -- at least in part -- to entertain. This is not to say that the pieces gathered here are not serious in their arguments; quite the contrary. . . . I mean only that, in these articles, I have given my natural inclinations towards satire and towards wantonly profligate turns of phrase far freer rein than academic writing permits. . . . I have, at any rate, attempted to include only pieces that strike me as having some intrinsic interest, both in form and in content."
-- from the introduction

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