Knygos.lt nariams
72,16 €
-30%
Įprastai
103,09 €
Ideographic Modernism
Knygos.lt nariams
72,16 €
-30%
Įprastai
103,09 €
- Išsiųsime per 12–18 d.d.
Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era respo…
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- Autorius: Christopher Bush
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0199926603
- ISBN-13: 9780199926602
- Formatas: 14 x 21.3 x 1.5 cm, minkšti viršeliai
- Kalba: Anglų
Atsiliepimai
Aprašymas
Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.
Knygos.lt nariams
72,16 €
-30%
Įprastai
103,09 €
Išsiųsime per 12–18 d.d.
- Autorius: Christopher Bush
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0199926603
- ISBN-13: 9780199926602
- Formatas: 14 x 21.3 x 1.5 cm, minkšti viršeliai
- Kalba: Anglų
Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.
Atsiliepimai