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I Hate to Leave This Beautiful Place
I Hate to Leave This Beautiful Place
Knygos.lt klubas Knygos.lt nariams
20,57 €
-30%
Įprastai
29,39 €
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"The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." -- Michael Ondaatje Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the A…
  • Leidėjas:
  • ISBN-10: 0544317165
  • ISBN-13: 9780544317161
  • Formatas: 13.6 x 20.1 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

I Hate to Leave This Beautiful Place (el. knyga) (skaityta knyga) | knygos.lt

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"The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." -- Michael Ondaatje

Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales--including the story of a soapstone carver turned into a goose whose migration-time lament is "I hate to leave this beautiful place"--and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story.

"Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever." -- Washington Post

"These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian." -- The New Yorker
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  • Autorius: Howard Norman
  • Leidėjas:
  • ISBN-10: 0544317165
  • ISBN-13: 9780544317161
  • Formatas: 13.6 x 20.1 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

"The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." -- Michael Ondaatje

Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales--including the story of a soapstone carver turned into a goose whose migration-time lament is "I hate to leave this beautiful place"--and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story.

"Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever." -- Washington Post

"These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian." -- The New Yorker

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