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How to Stage a Play, Make a Fortune, Win a Tony and Become a Theatrical Icon
How to Stage a Play, Make a Fortune, Win a Tony and Become a Theatrical Icon
Knygos.lt klubas Knygos.lt nariams
22,81 €
-30%
Įprastai
32,59 €
  • Išsiųsime per 12–18 d.d.
Based almost entirely on the author's personal experiences, this concise handbook follows a director's journey from the casting process to opening night, revealing the hidden or unspoken aspects of play and stage production that are rarely, if ever, described in theater manuals and textbooks. Mr. Marowitz discusses topics such as rehearsals, characterization, blocking, tempo-rhythm, dramaturgy, and actor-and-audience psychology, demystifying an art form that is often dealt with only in terms of…
  • Leidėjas:
  • ISBN-10: 0879103221
  • ISBN-13: 9780879103224
  • Formatas: 12.8 x 17.9 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

How to Stage a Play, Make a Fortune, Win a Tony and Become a Theatrical Icon (el. knyga) (skaityta knyga) | knygos.lt

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Based almost entirely on the author's personal experiences, this concise handbook follows a director's journey from the casting process to opening night, revealing the hidden or unspoken aspects of play and stage production that are rarely, if ever, described in theater manuals and textbooks. Mr. Marowitz discusses topics such as rehearsals, characterization, blocking, tempo-rhythm, dramaturgy, and actor-and-audience psychology, demystifying an art form that is often dealt with only in terms of concepts and ideology rather than the mundane, nitty-gritty nuts-and-bolts requirements of just "getting the show on the road."

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  • Autorius: Charles Marowitz
  • Leidėjas:
  • ISBN-10: 0879103221
  • ISBN-13: 9780879103224
  • Formatas: 12.8 x 17.9 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

Based almost entirely on the author's personal experiences, this concise handbook follows a director's journey from the casting process to opening night, revealing the hidden or unspoken aspects of play and stage production that are rarely, if ever, described in theater manuals and textbooks. Mr. Marowitz discusses topics such as rehearsals, characterization, blocking, tempo-rhythm, dramaturgy, and actor-and-audience psychology, demystifying an art form that is often dealt with only in terms of concepts and ideology rather than the mundane, nitty-gritty nuts-and-bolts requirements of just "getting the show on the road."

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