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Hostage of the Word
Hostage of the Word
Knygos.lt klubas Knygos.lt nariams
270,19 €
-30%
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385,99 €
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This book brings together a number of John Schad's very best uncollected essays, interleaved with a selection of autobiographical poems and a striking new work that brings together both critical and creative modes of writing. Turns thus plots the intriguing trajectory of Schad's very distinctive work over the last twenty years -- a trajectory that moves from a series of essays that juggle Christian, Marxist and Derridean intuitions, through a radically literary engagement with Deconstruction, t…
  • Leidėjas:
  • Metai: 2013
  • Puslapiai: 190
  • ISBN-10: 1845194942
  • ISBN-13: 9781845194949
  • Formatas: 16.1 x 23.1 x 1.6 cm, kieti viršeliai
  • Kalba: Anglų

Hostage of the Word (el. knyga) (skaityta knyga) | John Schad | knygos.lt

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This book brings together a number of John Schad's very best uncollected essays, interleaved with a selection of autobiographical poems and a striking new work that brings together both critical and creative modes of writing. Turns thus plots the intriguing trajectory of Schad's very distinctive work over the last twenty years -- a trajectory that moves from a series of essays that juggle Christian, Marxist and Derridean intuitions, through a radically literary engagement with Deconstruction, to a daringly critical-creative mode of writing. In this exciting new field, as in the more established world of literature and religion, Schad is an idiosyncratic and sometimes audacious pioneer. The book is to be published simultaneously in hardback and paperback to accommodate adoption on critical-creative courses at both undergraduate and postgraduate levels.

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  • Autorius: John Schad
  • Leidėjas:
  • Metai: 2013
  • Puslapiai: 190
  • ISBN-10: 1845194942
  • ISBN-13: 9781845194949
  • Formatas: 16.1 x 23.1 x 1.6 cm, kieti viršeliai
  • Kalba: Anglų

This book brings together a number of John Schad's very best uncollected essays, interleaved with a selection of autobiographical poems and a striking new work that brings together both critical and creative modes of writing. Turns thus plots the intriguing trajectory of Schad's very distinctive work over the last twenty years -- a trajectory that moves from a series of essays that juggle Christian, Marxist and Derridean intuitions, through a radically literary engagement with Deconstruction, to a daringly critical-creative mode of writing. In this exciting new field, as in the more established world of literature and religion, Schad is an idiosyncratic and sometimes audacious pioneer. The book is to be published simultaneously in hardback and paperback to accommodate adoption on critical-creative courses at both undergraduate and postgraduate levels.

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