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Hard Sayings: The Rhetoric of Christian Orthodoxy in Late Modern Fiction by Thomas F. Haddox examines the work of six avowedly Christian writers of fiction in the period from World War II to the present. This period is often characterized in western societies by such catchphrases as "postmodernism" and "secularization," with the frequent implication that orthodox belief in the dogmas of Christianity has become untenable among educated readers. How, then, do we account for the continued existence of writers of self-consciously literary fiction who attempt to persuade readers of the truth, desirability, and utility of the dogmas of Christianity? Is it possible to take these writers' efforts on their own terms and to understand and evaluate the rhetorical strategies that this kind of persuasion might entail?
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