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Han Shan, Chan Buddhism and Gary Snyder's Ecopoetic Way
Han Shan, Chan Buddhism and Gary Snyder's Ecopoetic Way
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This book is a comparative study of the ninth-century Chinese poet and recluse Han Shan (Cold Mountain) and Gary Snyder, an American poet and environmental activist. Joan Tan explains how Chan Buddhism has the potential to be recognised as an important voice in contemporary ecopoetry. Mountain-seeing Chan/Zen theory and the nature -- Chan mirror are employed as aesthetic criteria to explicate the dual discourses -- spiritual and aesthetic -- which exist in Han Shan and Snyder's poetry and life…

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This book is a comparative study of the ninth-century Chinese poet and recluse Han Shan (Cold Mountain) and Gary Snyder, an American poet and environmental activist. Joan Tan explains how Chan Buddhism has the potential to be recognised as an important voice in contemporary ecopoetry. Mountain-seeing Chan/Zen theory and the nature -- Chan mirror are employed as aesthetic criteria to explicate the dual discourses -- spiritual and aesthetic -- which exist in Han Shan and Snyder's poetry and life work. Snyder's goal of establishing one ecosystem for all communities encouraged him to adopt Han Shan as an ideal (albeit Chinese mythical) model and Chan Buddhism as a global subculture representing environmental values. This book investigates how Snyder interweaves Chinese cultural sources in an eclectic way to impose a sense of place, a sense of mission and a sense of energy in his ecopoetry. His unique ideogrammatic method -- riprapping -- developed as a result of his literary
indebtedness to the Oriental

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This book is a comparative study of the ninth-century Chinese poet and recluse Han Shan (Cold Mountain) and Gary Snyder, an American poet and environmental activist. Joan Tan explains how Chan Buddhism has the potential to be recognised as an important voice in contemporary ecopoetry. Mountain-seeing Chan/Zen theory and the nature -- Chan mirror are employed as aesthetic criteria to explicate the dual discourses -- spiritual and aesthetic -- which exist in Han Shan and Snyder's poetry and life work. Snyder's goal of establishing one ecosystem for all communities encouraged him to adopt Han Shan as an ideal (albeit Chinese mythical) model and Chan Buddhism as a global subculture representing environmental values. This book investigates how Snyder interweaves Chinese cultural sources in an eclectic way to impose a sense of place, a sense of mission and a sense of energy in his ecopoetry. His unique ideogrammatic method -- riprapping -- developed as a result of his literary
indebtedness to the Oriental

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