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Gender Terrains in African Cinema
Gender Terrains in African Cinema
Knygos.lt klubas Knygos.lt nariams
79,58 €
-30%
Įprastai
113,69 €
  • Išsiųsime per 12–18 d.d.
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters - the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to Afr…
  • Leidėjas:
  • ISBN-10: 1920033386
  • ISBN-13: 9781920033385
  • Formatas: 17 x 24.4 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

Gender Terrains in African Cinema (el. knyga) (skaityta knyga) | knygos.lt

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Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters - the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.

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  • Autorius: Dominica Dipio
  • Leidėjas:
  • ISBN-10: 1920033386
  • ISBN-13: 9781920033385
  • Formatas: 17 x 24.4 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters - the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.

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