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Happy Endings author Thien-Kim Lam is back--with a rom-com set during the divine madness of Mardi Gras as two lovers ask: Can a Big Easy fling become the real thing?
Boudoir photographer Josie Parks never ever takes a vacation. But when a client cancels a New Orleans shoot at the last minute, she decides to fly out from her Washington, D.C., studio anyway. Maybe the trip will reawaken her recently stagnant muse. After all, it's Mardi Gras season...
Spencer Pham has come home after twelve soul-sucking years in corporate hell to pursue his passion: making a docu-film on his family's history as the first Vietnamese Mardi Gras krewe. The last thing he expects is getting whacked in the head by a beautiful woman trying to snag some parade beads.
Over some beignets and coffee, Spencer and Josie connect over their artistic pursuits. He offers to show her the real New Orleans, if she'll help him with the camerawork for his film. Despite Josie's type-A personality clashing with Spencer's laissez-faire attitude, they seem to make a great team, and soon, the good times are rolling both on and off camera. But Josie has a life in D.C., and they both have big dreams they're chasing. When this Big Easy fling starts feeling awfully serious, can they find a way to choose between personal and professional passion?
Happy Endings author Thien-Kim Lam is back--with a rom-com set during the divine madness of Mardi Gras as two lovers ask: Can a Big Easy fling become the real thing?
Boudoir photographer Josie Parks never ever takes a vacation. But when a client cancels a New Orleans shoot at the last minute, she decides to fly out from her Washington, D.C., studio anyway. Maybe the trip will reawaken her recently stagnant muse. After all, it's Mardi Gras season...
Spencer Pham has come home after twelve soul-sucking years in corporate hell to pursue his passion: making a docu-film on his family's history as the first Vietnamese Mardi Gras krewe. The last thing he expects is getting whacked in the head by a beautiful woman trying to snag some parade beads.
Over some beignets and coffee, Spencer and Josie connect over their artistic pursuits. He offers to show her the real New Orleans, if she'll help him with the camerawork for his film. Despite Josie's type-A personality clashing with Spencer's laissez-faire attitude, they seem to make a great team, and soon, the good times are rolling both on and off camera. But Josie has a life in D.C., and they both have big dreams they're chasing. When this Big Easy fling starts feeling awfully serious, can they find a way to choose between personal and professional passion?
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