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Falling to My Death
Falling to My Death
Knygos.lt klubas Knygos.lt nariams
95,82 €
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136,89 €
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Ina book that combines memoir and cultural criticism of visual media, publicrhetoric, and memory texts, José Ángel Maldonado reflects on the subjectivitieshe embodies--mestizo, epileptic, and exile--while engaging in a critique of thevarious popular texts he encounters while travelling through Mexico afterliving in the United States as an undocumented immigrant. Using the suffix -cide(from the Latin caedere, "to fall," and "to die") as a guide for adiscussion of modes of dying in contempo…

Falling to My Death (el. knyga) (skaityta knyga) | knygos.lt

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In
a book that combines memoir and cultural criticism of visual media, public
rhetoric, and memory texts, José Ángel Maldonado reflects on the subjectivities
he embodies--mestizo, epileptic, and exile--while engaging in a critique of the
various popular texts he encounters while travelling through Mexico after
living in the United States as an undocumented immigrant. Using the suffix -cide
(from the Latin caedere, "to fall," and "to die") as a guide for a
discussion of modes of dying in contemporary Mexico, he creates a constellation
of terms like suicide, magnicide, genocide, and feminicide, as metaphors for
falling that define quotidian life in Mexico. This exercise uncloaks what he
terms the "rhetorics of verticality" that many deploy when navigating dangerous
situations throughout violent, militarized Mexico. Trained as a cultural critic
who uses rhetorical theory to deconstruct discourse, he combines a confessional
style with an accessible academic voice to demonstrate how everyday texts
inform and shape reality in order to anticipate, rather than react to, the
inevitability of violence.

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In
a book that combines memoir and cultural criticism of visual media, public
rhetoric, and memory texts, José Ángel Maldonado reflects on the subjectivities
he embodies--mestizo, epileptic, and exile--while engaging in a critique of the
various popular texts he encounters while travelling through Mexico after
living in the United States as an undocumented immigrant. Using the suffix -cide
(from the Latin caedere, "to fall," and "to die") as a guide for a
discussion of modes of dying in contemporary Mexico, he creates a constellation
of terms like suicide, magnicide, genocide, and feminicide, as metaphors for
falling that define quotidian life in Mexico. This exercise uncloaks what he
terms the "rhetorics of verticality" that many deploy when navigating dangerous
situations throughout violent, militarized Mexico. Trained as a cultural critic
who uses rhetorical theory to deconstruct discourse, he combines a confessional
style with an accessible academic voice to demonstrate how everyday texts
inform and shape reality in order to anticipate, rather than react to, the
inevitability of violence.

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