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Eyes in the Wood
Eyes in the Wood
Knygos.lt klubas Knygos.lt nariams
18,19 €
-30%
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25,99 €
  • Išsiųsime per 12–18 d.d.
Eleanor Rees' Eyes in the Wood: Occasional Prose is a meditative and exploratory collection that considers poetry as a situated, permeable practice grounded in place, ecology, and attention. Moving between reflective essay, lyric fragment, and critical enquiry, Rees develops a poetics that is both relational and speculative, drawing on lived experience, myth, and ecological thought. Her prose resists academic fixity, favouring instead a dynamic, processual mode of thinking that unfolds through…
  • Leidėjas:
  • ISBN-10: 1917617283
  • ISBN-13: 9781917617284
  • Formatas: 12.7 x 20.3 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

Eyes in the Wood (el. knyga) (skaityta knyga) | Eleanor Rees | knygos.lt

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Eleanor Rees' Eyes in the Wood: Occasional Prose is a meditative and exploratory collection that considers poetry as a situated, permeable practice grounded in place, ecology, and attention. Moving between reflective essay, lyric fragment, and critical enquiry, Rees develops a poetics that is both relational and speculative, drawing on lived experience, myth, and ecological thought. Her prose resists academic fixity, favouring instead a dynamic, processual mode of thinking that unfolds through landscape, memory, and sensory perception. The result is a richly textured work that approaches language as a means of encounter-open-ended, affective, and materially bound.

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  • Autorius: Eleanor Rees
  • Leidėjas:
  • ISBN-10: 1917617283
  • ISBN-13: 9781917617284
  • Formatas: 12.7 x 20.3 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

Eleanor Rees' Eyes in the Wood: Occasional Prose is a meditative and exploratory collection that considers poetry as a situated, permeable practice grounded in place, ecology, and attention. Moving between reflective essay, lyric fragment, and critical enquiry, Rees develops a poetics that is both relational and speculative, drawing on lived experience, myth, and ecological thought. Her prose resists academic fixity, favouring instead a dynamic, processual mode of thinking that unfolds through landscape, memory, and sensory perception. The result is a richly textured work that approaches language as a means of encounter-open-ended, affective, and materially bound.

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