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“Would the real Branden Jacobs-Jenkins please stand up? Throughout half a dozen plays, the restless, talented writer has flaunted a genius for polymorphous perversity. In Everybody, characters argue about racial insensitivity and political correctness, but that almost feels like a red herring. This time, the writer is chasing a bigger, faster-moving target: mortality and morality.” —David Cote, Time Out New York
Inspired by the 15th century morality play Everyman, Branden Jacobs-Jenkins’ new work follows Everybody (played by one of five actors selected by lottery at the beginning of each performance) as he or she travels down a road toward life's greatest mystery and confronts the inevitable. An unpredictable and inventive inquiry into the ways we cope with our own mortality.
“Would the real Branden Jacobs-Jenkins please stand up? Throughout half a dozen plays, the restless, talented writer has flaunted a genius for polymorphous perversity. In Everybody, characters argue about racial insensitivity and political correctness, but that almost feels like a red herring. This time, the writer is chasing a bigger, faster-moving target: mortality and morality.” —David Cote, Time Out New York
Inspired by the 15th century morality play Everyman, Branden Jacobs-Jenkins’ new work follows Everybody (played by one of five actors selected by lottery at the beginning of each performance) as he or she travels down a road toward life's greatest mystery and confronts the inevitable. An unpredictable and inventive inquiry into the ways we cope with our own mortality.
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