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Empty Action
Empty Action
Knygos.lt klubas Knygos.lt nariams
37,65 €
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Įprastai
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"Collective Actions" is one of the most significant artistic practices to emerge from Moscow Conceptualism. Their enigmatic idea of Empty action is the focal point for Marina Gerber's exploration of their practice in relation to labour in the late Soviet Union. Based on interviews with the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen, and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the Action…
  • Leidėjas:
  • Metai: 2018
  • Puslapiai: 233
  • ISBN-10: 3837640906
  • ISBN-13: 9783837640908
  • Formatas: 14.9 x 22.8 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

Empty Action (el. knyga) (skaityta knyga) | Marina Gerber | knygos.lt

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"Collective Actions" is one of the most significant artistic practices to emerge from Moscow Conceptualism. Their enigmatic idea of Empty action is the focal point for Marina Gerber's exploration of their practice in relation to labour in the late Soviet Union. Based on interviews with the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen, and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the Actions in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that the Actions took place in free time from work for the Soviet State, Marina Gerber identifies Empty action as a form of 'art after work'.

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  • Autorius: Marina Gerber
  • Leidėjas:
  • Metai: 2018
  • Puslapiai: 233
  • ISBN-10: 3837640906
  • ISBN-13: 9783837640908
  • Formatas: 14.9 x 22.8 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

"Collective Actions" is one of the most significant artistic practices to emerge from Moscow Conceptualism. Their enigmatic idea of Empty action is the focal point for Marina Gerber's exploration of their practice in relation to labour in the late Soviet Union. Based on interviews with the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen, and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the Actions in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that the Actions took place in free time from work for the Soviet State, Marina Gerber identifies Empty action as a form of 'art after work'.

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