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Emblems in Scotland
Emblems in Scotland
Knygos.lt klubas Knygos.lt nariams
292,31 €
-30%
Įprastai
417,59 €
  • Išsiųsime per 12–18 d.d.
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the…
  • Leidėjas:
  • ISBN-10: 9004364056
  • ISBN-13: 9789004364059
  • Formatas: 16 x 23.6 x 2.5 cm, kieti viršeliai
  • Kalba: Anglų

Emblems in Scotland (el. knyga) (skaityta knyga) | Michael Bath | knygos.lt

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Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?

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  • Autorius: Michael Bath
  • Leidėjas:
  • ISBN-10: 9004364056
  • ISBN-13: 9789004364059
  • Formatas: 16 x 23.6 x 2.5 cm, kieti viršeliai
  • Kalba: Anglų

Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?

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