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Early Film Theories in Italy, 1896-1922
Early Film Theories in Italy, 1896-1922
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This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought an…
  • Leidėjas:
  • ISBN-10: 9089648550
  • ISBN-13: 9789089648556
  • Formatas: 15.5 x 23.1 x 3.1 cm, minkšti viršeliai
  • Kalba: Anglų

Early Film Theories in Italy, 1896-1922 (el. knyga) (skaityta knyga) | knygos.lt

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This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.

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  • Leidėjas:
  • ISBN-10: 9089648550
  • ISBN-13: 9789089648556
  • Formatas: 15.5 x 23.1 x 3.1 cm, minkšti viršeliai
  • Kalba: Anglų

This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.

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