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Eagerly We Burn
Eagerly We Burn
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Barry Hill's tenth book of poetry selects from his Naked Clay: Drawing from Lucian Freud, which was shortlisted for the Forward Prize, 2013, and described by John Kinsella as a 'masterpiece'; Grass Hut Work (2016), his excursion into Hiroshima and Japanese poetry, which Sam Hamill said was 'beautiful and quietly powerful'; Lines for Birds (2011) his collaboration with the painter John Wolseley, was acclaimed by Nathaniel Tarn as 'a miraculous gift of a book'; The Inland Sea (2001), which David…
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 194
  • ISBN-10: 1848616082
  • ISBN-13: 9781848616080
  • Formatas: 15.2 x 22.9 x 1.1 cm, minkšti viršeliai
  • Kalba: Anglų

Eagerly We Burn (el. knyga) (skaityta knyga) | Barry Hill | knygos.lt

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Barry Hill's tenth book of poetry selects from his Naked Clay: Drawing from Lucian Freud, which was shortlisted for the Forward Prize, 2013, and described by John Kinsella as a 'masterpiece'; Grass Hut Work (2016), his excursion into Hiroshima and Japanese poetry, which Sam Hamill said was 'beautiful and quietly powerful'; Lines for Birds (2011) his collaboration with the painter John Wolseley, was acclaimed by Nathaniel Tarn as 'a miraculous gift of a book'; The Inland Sea (2001), which David Malouf described as 'a mixture of intense contemplation and powerful eroticism'; Ghosting William Buckley (1993), deemed by Barrett Reid a 'major work' of 'stories, thought and music' from the encounter of a 'wild white man' and the indigenous people of the Australian frontier. This Selected also includes recent poetry--lyrical, political and in memoriam.

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  • Autorius: Barry Hill
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 194
  • ISBN-10: 1848616082
  • ISBN-13: 9781848616080
  • Formatas: 15.2 x 22.9 x 1.1 cm, minkšti viršeliai
  • Kalba: Anglų

Barry Hill's tenth book of poetry selects from his Naked Clay: Drawing from Lucian Freud, which was shortlisted for the Forward Prize, 2013, and described by John Kinsella as a 'masterpiece'; Grass Hut Work (2016), his excursion into Hiroshima and Japanese poetry, which Sam Hamill said was 'beautiful and quietly powerful'; Lines for Birds (2011) his collaboration with the painter John Wolseley, was acclaimed by Nathaniel Tarn as 'a miraculous gift of a book'; The Inland Sea (2001), which David Malouf described as 'a mixture of intense contemplation and powerful eroticism'; Ghosting William Buckley (1993), deemed by Barrett Reid a 'major work' of 'stories, thought and music' from the encounter of a 'wild white man' and the indigenous people of the Australian frontier. This Selected also includes recent poetry--lyrical, political and in memoriam.

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