- Išsiųsime per 10–14 d.d.
/https://libri-media.knygos-static.lt/213d5cd7-88d5-4768-801e-87b1f1a06f1d/2)
- Autorius: Sarah J. Ablett
- Leidėjas: Transcript Verlag
- Metai: 2020
- Puslapiai: 199
- ISBN-10: 3837652106
- ISBN-13: 9783837652109
- Formatas: 14.9 x 22.3 x 2 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -25 % nuolaida šiai knygai su kodu: ENG25
Atsiliepimai
Aprašymas
Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.
EXTRA 25 % nuolaida su kodu: ENG25
Akcija baigiasi už 5d.10:26:51
Nuolaidos kodas galioja perkant nuo 5 €. Nuolaidos nesumuojamos.
- Autorius: Sarah J. Ablett
- Leidėjas: Transcript Verlag
- Metai: 2020
- Puslapiai: 199
- ISBN-10: 3837652106
- ISBN-13: 9783837652109
- Formatas: 14.9 x 22.3 x 2 cm, minkšti viršeliai
- Kalba: Anglų
Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.
Atsiliepimai