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Don Dudley: Early Work
Don Dudley: Early Work
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113,88 €
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The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcov…
  • Leidėjas:
  • Metai: 2016
  • Puslapiai: 240
  • ISBN-10: 3863357647
  • ISBN-13: 9783863357641
  • Formatas: 24.9 x 28.5 x 3.1 cm, kieti viršeliai
  • Kalba: Anglų

Don Dudley: Early Work (el. knyga) (skaityta knyga) | knygos.lt

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The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley's minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.

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  • Leidėjas:
  • Metai: 2016
  • Puslapiai: 240
  • ISBN-10: 3863357647
  • ISBN-13: 9783863357641
  • Formatas: 24.9 x 28.5 x 3.1 cm, kieti viršeliai
  • Kalba: Anglų

The work of New York-based artist Don Dudley (born 1930) represents a dialogue between the Minimalist practices of the American East and West Coasts in the 1960s and '70s, while simultaneously speaking to a new generation of artists who are re-examining perfectionist surfaces and Minimalist practices. As The New York Times critic Ken Johnson wrote: As if made for a Euclidean mystery cult, [Dudley's work] is classically modern and modernistically timeless. This publication, a substantial hardcover of almost 250 pages, is the first comprehensive monograph on the artist. It presents a rich selection of his wall installations, the aluminum and Homasote works, as well as works on paper and sketches, serving as a reminder of the relevance of Dudley's minimalism, with its striking optical effects and its ongoing exploration of object, surface and color.

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