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Cross-Channel Perspectives; The French Reception of British Cinema
Cross-Channel Perspectives; The French Reception of British Cinema
Knygos.lt klubas Knygos.lt nariams
161,06 €
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230,09 €
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This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with or…
  • Leidėjas:
  • ISBN-10: 3039113607
  • ISBN-13: 9783039113606
  • Formatas: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

Cross-Channel Perspectives; The French Reception of British Cinema (el. knyga) (skaityta knyga) | knygos.lt

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This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored.
A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.

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  • Autorius: Leila Wimmer
  • Leidėjas:
  • ISBN-10: 3039113607
  • ISBN-13: 9783039113606
  • Formatas: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored.
A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.

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