Atsiliepimai
Aprašymas
This book explores what pulse phonation is, what it can do, and how it develops into a cultural practice. It is a multidisciplinary inquiry that merges theoretical frameworks with embodied practice to discuss the processes of producing and perceiving pulse phonation, its use and significance in contemporary discourse, and its place in a broader reflection on voice and sound production. It presents a thorough investigation of pulse phonation to jointly take into consideration its sociocultural, bioacoustic, and creative dimensions. In the book, leading scholars and practitioners such as Nassima Abdelli-Beruh, Diana Sidtis, Katherine Meizel, and John Nix together present a wide array of approaches, from sociolinguistics and voice anatomy to acoustic ecology and performance studies.
These approaches include case studies of creaky voices across cultures and media; physiology and acoustics of the pulse register; creak singing including possibilities, perspectives, pedagogies; pulse phonation, embodiment, and gender; the "phenomenon of extreme vocal fry"; vocology, somatics, and the disease condition; the use of pulse phonation from live arts to film studies; composition, improvisation, and creation with creak; and the pulse register in the animal world. This groundbreaking publication concludes with a multifaceted series of testimonies from users and listeners of creaky voices.
This book explores what pulse phonation is, what it can do, and how it develops into a cultural practice. It is a multidisciplinary inquiry that merges theoretical frameworks with embodied practice to discuss the processes of producing and perceiving pulse phonation, its use and significance in contemporary discourse, and its place in a broader reflection on voice and sound production. It presents a thorough investigation of pulse phonation to jointly take into consideration its sociocultural, bioacoustic, and creative dimensions. In the book, leading scholars and practitioners such as Nassima Abdelli-Beruh, Diana Sidtis, Katherine Meizel, and John Nix together present a wide array of approaches, from sociolinguistics and voice anatomy to acoustic ecology and performance studies.
These approaches include case studies of creaky voices across cultures and media; physiology and acoustics of the pulse register; creak singing including possibilities, perspectives, pedagogies; pulse phonation, embodiment, and gender; the "phenomenon of extreme vocal fry"; vocology, somatics, and the disease condition; the use of pulse phonation from live arts to film studies; composition, improvisation, and creation with creak; and the pulse register in the animal world. This groundbreaking publication concludes with a multifaceted series of testimonies from users and listeners of creaky voices.
Atsiliepimai