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Corpus Christi
Corpus Christi
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The New Yorker has called Terrence McNally one of our most original and audacious dramatists and one of our funniest. He is the author of such critically acclaimed plays as Love! Valour! Compassion!, Master Class, The Lisbon Traviata, and Frankie and Johnny in the Clair de Lune. In Corpus Christi, McNally gives us his own unique view of the story of Christ, and in doing so provides us with one of the most vivid and moving passion plays written. McNally's controversial new play is an affirmation…
  • Leidėjas:
  • ISBN-10: 0802136354
  • ISBN-13: 9780802136350
  • Formatas: 14 x 21 x 1 cm, minkšti viršeliai
  • Kalba: Anglų

Corpus Christi (el. knyga) (skaityta knyga) | Terrence McNally | knygos.lt

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The New Yorker has called Terrence McNally one of our most original and audacious dramatists and one of our funniest. He is the author of such critically acclaimed plays as Love! Valour! Compassion!, Master Class, The Lisbon Traviata, and Frankie and Johnny in the Clair de Lune. In Corpus Christi, McNally gives us his own unique view of the story of Christ, and in doing so provides us with one of the most vivid and moving passion plays written. McNally's controversial new play is an affirmation of faith and a drama of such power and scope that it has been called blasphemy by the religious right and hailed by audiences and critics alike as one of his best and most poignant works to date.

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  • Autorius: Terrence McNally
  • Leidėjas:
  • ISBN-10: 0802136354
  • ISBN-13: 9780802136350
  • Formatas: 14 x 21 x 1 cm, minkšti viršeliai
  • Kalba: Anglų

The New Yorker has called Terrence McNally one of our most original and audacious dramatists and one of our funniest. He is the author of such critically acclaimed plays as Love! Valour! Compassion!, Master Class, The Lisbon Traviata, and Frankie and Johnny in the Clair de Lune. In Corpus Christi, McNally gives us his own unique view of the story of Christ, and in doing so provides us with one of the most vivid and moving passion plays written. McNally's controversial new play is an affirmation of faith and a drama of such power and scope that it has been called blasphemy by the religious right and hailed by audiences and critics alike as one of his best and most poignant works to date.

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