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Continuity and Change in Irish Poetry, 1966-2010
Continuity and Change in Irish Poetry, 1966-2010
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In Continuity and Change in Irish Poetry, 1966-2010, Eric Falci reshapes the story of Irish poetry since the 1960s. He shows how polemical arguments concerning the role of poetry in 1960s Ireland evolve into a set of formal and compositional strategies for emerging Irish poets in the mid-1970s and beyond. His study presents a cohesive picture of the relationship between Northern Irish poetry from the Republic of Ireland since World War II and traces the lineage of lyric practice from a unique h…

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In Continuity and Change in Irish Poetry, 1966-2010, Eric Falci reshapes the story of Irish poetry since the 1960s. He shows how polemical arguments concerning the role of poetry in 1960s Ireland evolve into a set of formal and compositional strategies for emerging Irish poets in the mid-1970s and beyond. His study presents a cohesive picture of the relationship between Northern Irish poetry from the Republic of Ireland since World War II and traces the lineage of lyric practice from a unique historical perspective. At the same time, it recontextualizes late twentieth-century Irish poetry within the long Irish poetic tradition, places Irish writing more accurately within the field of postwar Anglophone poetry, and offers a new account of lyric's critical capacities. Of interest to Irish studies and also twentieth-century poetry specialists, this book provides a much-needed guide to some of the most inventive and notable poetry written in the past forty years.

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In Continuity and Change in Irish Poetry, 1966-2010, Eric Falci reshapes the story of Irish poetry since the 1960s. He shows how polemical arguments concerning the role of poetry in 1960s Ireland evolve into a set of formal and compositional strategies for emerging Irish poets in the mid-1970s and beyond. His study presents a cohesive picture of the relationship between Northern Irish poetry from the Republic of Ireland since World War II and traces the lineage of lyric practice from a unique historical perspective. At the same time, it recontextualizes late twentieth-century Irish poetry within the long Irish poetic tradition, places Irish writing more accurately within the field of postwar Anglophone poetry, and offers a new account of lyric's critical capacities. Of interest to Irish studies and also twentieth-century poetry specialists, this book provides a much-needed guide to some of the most inventive and notable poetry written in the past forty years.

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