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Chronicles of the Inner Chamber
Chronicles of the Inner Chamber
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''What exactly has been lost of the Sacred Vision in what was constructed in Auroville? The 24-metre diameter does not exist; the 15.20m measure of the Ray does not exist; the 15-step entry from below into the floor of the chamber facing north does not exist; Sri Aurobindo's symbol in the Shalagrama does not 'exist'; the translucent Globe does not exist; the stone Pedestal does not exist. Is there anything then of gnostic significance and value in the structure? And even if only one or two item…

Chronicles of the Inner Chamber (el. knyga) (skaityta knyga) | knygos.lt

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''What exactly has been lost of the Sacred Vision in what was constructed in Auroville? The 24-metre diameter does not exist; the 15.20m measure of the Ray does not exist; the 15-step entry from below into the floor of the chamber facing north does not exist; Sri Aurobindo's symbol in the Shalagrama does not 'exist'; the translucent Globe does not exist; the stone Pedestal does not exist. Is there anything then of gnostic significance and value in the structure? And even if only one or two items of the Vision have survived - such as the 12 columns - the fundamental feature proper to all great sacred art is absent: its unity. In these matters it is all or nothing. Unfortunately, for disciples and devotees of Sri Aurobindo and the Mother, they are left with nothing.

But the Vision itself lives on; its Knowledge has been revealed and preserved. This is the focus of these Chronicles.''

(Thea, excerpt from Chronicles of the Inner Chamber, no. 9)

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''What exactly has been lost of the Sacred Vision in what was constructed in Auroville? The 24-metre diameter does not exist; the 15.20m measure of the Ray does not exist; the 15-step entry from below into the floor of the chamber facing north does not exist; Sri Aurobindo's symbol in the Shalagrama does not 'exist'; the translucent Globe does not exist; the stone Pedestal does not exist. Is there anything then of gnostic significance and value in the structure? And even if only one or two items of the Vision have survived - such as the 12 columns - the fundamental feature proper to all great sacred art is absent: its unity. In these matters it is all or nothing. Unfortunately, for disciples and devotees of Sri Aurobindo and the Mother, they are left with nothing.

But the Vision itself lives on; its Knowledge has been revealed and preserved. This is the focus of these Chronicles.''

(Thea, excerpt from Chronicles of the Inner Chamber, no. 9)

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