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If Margie Cronin were Pablo Neruda, or John Ashbery, or Frederick Seidel, for example, she'd be all over the NYTBR, NYRB, Paris Review, and etc. But she is Margie Cronin (and not that she could have been anyone else, to be sure). Think Lorine Niedecker, poets, ca. 1975, if you're looking where to put your "money." Not that anyone should expect to make anything from investing in poetic outliers... Or that Cronin is anything like Lorine Niedecker, either. But I'm just saying.
Kent Johnson
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If Margie Cronin were Pablo Neruda, or John Ashbery, or Frederick Seidel, for example, she'd be all over the NYTBR, NYRB, Paris Review, and etc. But she is Margie Cronin (and not that she could have been anyone else, to be sure). Think Lorine Niedecker, poets, ca. 1975, if you're looking where to put your "money." Not that anyone should expect to make anything from investing in poetic outliers... Or that Cronin is anything like Lorine Niedecker, either. But I'm just saying.
Kent Johnson
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