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Breathing with Wings in October Light
Breathing with Wings in October Light
Knygos.lt klubas Knygos.lt nariams
21,55 €
-30%
Įprastai
30,79 €
  • Išsiųsime per 12–18 d.d.
In Breathing with Wings in October Light, T. Luis Cox draws his inspiration from the rust of contemporary living and the day-glow sheen of the Tibetan mandala. T. Luis Cox's poetic vision has been described as irreverent, sexy, stylishly witty, and deeply universal. Breaking form from his postmodernist Western contemporaries, T. Luis Cox evokes comparisons to Blake, Rumi, Baudelaire, and Pound. Here in T. Luis Cox's third book of poetry contains his confessional odes to the dakini, the sacred,…
  • Leidėjas:
  • ISBN-10: 0978760891
  • ISBN-13: 9780978760892
  • Formatas: 17.8 x 25.4 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

Breathing with Wings in October Light (el. knyga) (skaityta knyga) | knygos.lt

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In Breathing with Wings in October Light, T. Luis Cox draws his inspiration from the rust of contemporary living and the day-glow sheen of the Tibetan mandala. T. Luis Cox's poetic vision has been described as irreverent, sexy, stylishly witty, and deeply universal. Breaking form from his postmodernist Western contemporaries, T. Luis Cox evokes comparisons to Blake, Rumi, Baudelaire, and Pound. Here in T. Luis Cox's third book of poetry contains his confessional odes to the dakini, the sacred, the profane, the blessed other, and the divine . . .

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  • Autorius: Thomas Cox
  • Leidėjas:
  • ISBN-10: 0978760891
  • ISBN-13: 9780978760892
  • Formatas: 17.8 x 25.4 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

In Breathing with Wings in October Light, T. Luis Cox draws his inspiration from the rust of contemporary living and the day-glow sheen of the Tibetan mandala. T. Luis Cox's poetic vision has been described as irreverent, sexy, stylishly witty, and deeply universal. Breaking form from his postmodernist Western contemporaries, T. Luis Cox evokes comparisons to Blake, Rumi, Baudelaire, and Pound. Here in T. Luis Cox's third book of poetry contains his confessional odes to the dakini, the sacred, the profane, the blessed other, and the divine . . .

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