17,50 €
20,59 €
-15% su kodu: ENG15
Brahms, Johannes - Sonata No. 1 in e minor Op. 38 for Cello and Piano - by Rose - International
Brahms, Johannes - Sonata No. 1 in e minor Op. 38 for Cello and Piano - by Rose - International
17,50 €
20,59 €
  • Išsiųsime per 12–18 d.d.
Brahms composed the first two movements during the summer of 1862, as well as an Adagio which was later deleted. The final movement was composed in 1865. The sonata is actually entitled "Sonate fur Klavier und Violoncello" (for Piano and Cello) and the piano "should be a partner - often a leading, often a watchful and considerate partner - but it should under no circumstances assume a purely accompanying role." It is dedicated to Josef Gansbacher, a singing professor and amateur cellist.
  • Leidėjas:
  • ISBN-10: 1974899454
  • ISBN-13: 9781974899456
  • Formatas: 21.6 x 27.9 x 0.2 cm, minkšti viršeliai
  • Kalba: Anglų
  • Extra -15 % nuolaida šiai knygai su kodu: ENG15

Brahms, Johannes - Sonata No. 1 in e minor Op. 38 for Cello and Piano - by Rose - International (el. knyga) (skaityta knyga) | knygos.lt

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Brahms composed the first two movements during the summer of 1862, as well as an Adagio which was later deleted. The final movement was composed in 1865. The sonata is actually entitled "Sonate fur Klavier und Violoncello" (for Piano and Cello) and the piano "should be a partner - often a leading, often a watchful and considerate partner - but it should under no circumstances assume a purely accompanying role." It is dedicated to Josef Gansbacher, a singing professor and amateur cellist.

EXTRA 15 % nuolaida su kodu: ENG15

17,50 €
20,59 €
Išsiųsime per 12–18 d.d.

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  • Leidėjas:
  • ISBN-10: 1974899454
  • ISBN-13: 9781974899456
  • Formatas: 21.6 x 27.9 x 0.2 cm, minkšti viršeliai
  • Kalba: Anglų Anglų

Brahms composed the first two movements during the summer of 1862, as well as an Adagio which was later deleted. The final movement was composed in 1865. The sonata is actually entitled "Sonate fur Klavier und Violoncello" (for Piano and Cello) and the piano "should be a partner - often a leading, often a watchful and considerate partner - but it should under no circumstances assume a purely accompanying role." It is dedicated to Josef Gansbacher, a singing professor and amateur cellist.

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