Knygos.lt nariams
109,68 €
-30%
Įprastai
156,69 €
Birth Marks
Knygos.lt nariams
109,68 €
-30%
Įprastai
156,69 €
- Išsiųsime per 12–18 d.d.
Through a study of the evolution of inheritance issues in seventeen tragedies written over the course of half a century the Corneille brothers, Pierre and Thomas, and by Jean Racine, Richard E. Goodkin questions the pervasive assumption that classical tragedy, a form written for the aristocracy, is informed exclusively by an aristocratic ethic. Instead, a fresh reading of both canonical and noncanonical texts demonstrates that even the most formal body of literature produced by French classical…
/images/books/4399301/9780812235500.jpg)
- Autorius: Richard E Goodkin
- Leidėjas: University of Pennsylvania Press
- ISBN-10: 0812235509
- ISBN-13: 9780812235500
- Formatas: 15.2 x 22.9 x 2.1 cm, kieti viršeliai
- Kalba: Anglų
Atsiliepimai
Aprašymas
Through a study of the evolution of inheritance issues in seventeen tragedies written over the course of half a century the Corneille brothers, Pierre and Thomas, and by Jean Racine, Richard E. Goodkin questions the pervasive assumption that classical tragedy, a form written for the aristocracy, is informed exclusively by an aristocratic ethic.
Instead, a fresh reading of both canonical and noncanonical texts demonstrates that even the most formal body of literature produced by French classical writers expresses a conflict between a declining aristocratic hierarchy based on inherited privilege and a rising capitalistic ethic that favors competition and enterprise.
Knygos.lt nariams
109,68 €
-30%
Įprastai
156,69 €
Išsiųsime per 12–18 d.d.
- Autorius: Richard E Goodkin
- Leidėjas: University of Pennsylvania Press
- ISBN-10: 0812235509
- ISBN-13: 9780812235500
- Formatas: 15.2 x 22.9 x 2.1 cm, kieti viršeliai
- Kalba: Anglų
Through a study of the evolution of inheritance issues in seventeen tragedies written over the course of half a century the Corneille brothers, Pierre and Thomas, and by Jean Racine, Richard E. Goodkin questions the pervasive assumption that classical tragedy, a form written for the aristocracy, is informed exclusively by an aristocratic ethic.
Instead, a fresh reading of both canonical and noncanonical texts demonstrates that even the most formal body of literature produced by French classical writers expresses a conflict between a declining aristocratic hierarchy based on inherited privilege and a rising capitalistic ethic that favors competition and enterprise.
Atsiliepimai