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Bellezza
Bellezza
Knygos.lt klubas Knygos.lt nariams
25,47 €
-30%
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Unlike in English and French cultural fields, where fashion during WWII is widely debated, in Italy the relationship between fashion and Fascism is an under-researched topic, separated from the study of Fascist institutions and bureaucracy. The behind-the-scene history of the fashion magazine Bellezza, the Italian Vogue founded in 1941, has never been submitted to scholarly attention. Its utopian function in defining a new culture of fashion and code of glamour contributed to the totalitarian p…
  • Leidėjas:
  • ISBN-10: 886977421X
  • ISBN-13: 9788869774218
  • Formatas: 14 x 21 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

Bellezza (el. knyga) (skaityta knyga) | Silvia Vacirca | knygos.lt

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Unlike in English and French cultural fields, where fashion during WWII is widely debated, in Italy the relationship between fashion and Fascism is an under-researched topic, separated from the study of Fascist institutions and bureaucracy. The behind-the-scene history of the fashion magazine Bellezza, the Italian Vogue founded in 1941, has never been submitted to scholarly attention. Its utopian function in defining a new culture of fashion and code of glamour contributed to the totalitarian project of building a 'new Italian woman'. The current volume fills this gap, using the case of Bellezza as a kaleidoscope through which to examine Italian history and culture drawing on new primary sources and extraordinary iconography.

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  • Autorius: Silvia Vacirca
  • Leidėjas:
  • ISBN-10: 886977421X
  • ISBN-13: 9788869774218
  • Formatas: 14 x 21 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

Unlike in English and French cultural fields, where fashion during WWII is widely debated, in Italy the relationship between fashion and Fascism is an under-researched topic, separated from the study of Fascist institutions and bureaucracy. The behind-the-scene history of the fashion magazine Bellezza, the Italian Vogue founded in 1941, has never been submitted to scholarly attention. Its utopian function in defining a new culture of fashion and code of glamour contributed to the totalitarian project of building a 'new Italian woman'. The current volume fills this gap, using the case of Bellezza as a kaleidoscope through which to examine Italian history and culture drawing on new primary sources and extraordinary iconography.

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