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Animated 'Worlds'
Animated 'Worlds'
Knygos.lt klubas Knygos.lt nariams
40,66 €
-30%
Įprastai
58,09 €
  • Išsiųsime per 12–18 d.d.
What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack,…
  • Leidėjas:
  • ISBN-10: 0861966619
  • ISBN-13: 9780861966615
  • Formatas: 15 x 22.6 x 1.5 cm, minkšti viršeliai
  • Kalba: Anglų

Animated 'Worlds' (el. knyga) (skaityta knyga) | knygos.lt

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What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.

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  • Leidėjas:
  • ISBN-10: 0861966619
  • ISBN-13: 9780861966615
  • Formatas: 15 x 22.6 x 1.5 cm, minkšti viršeliai
  • Kalba: Anglų

What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.

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