Andreas Eriksson
- Išparduota
Painting in between abstraction and representation always offers a promise of thought and feeling. Emotionally, as well as intellectually, it marks out new horizons. Andreas Eriksson’s series Cutouts, are works with cut-out elements from discarded paintings. In Eriksson’s work, cutouts are resurrected and taken seriously in their very own, specific form. Hence, something that is outside the painting shifts into focus here, showing us its asymmetrical edges and the marks of its production, and m…
0
/https://libri-media.knygos-static.lt/8da9a112-f964-4dc4-bb7e-b68b58e9376f/1)
/https://libri-media.knygos-static.lt/da121fa6-06c9-4de3-a39f-3a8c2e2eacb9/5)
/https://libri-media.knygos-static.lt/bbc08293-3999-499c-9301-4599257f9c9d/7)
- Leidėjas Hatje Cantz Verlag GmbH
- Metai: 2021
- Puslapiai: 112
- ISBN-10 : 3775748695
- ISBN-13 : 9783775748698
- Formatas: 22.2 x 32.1 x 2.7 cm, kieti viršeliai
- Kalba: Anglų
Andreas Eriksson | knygos.lt
Atsiliepimai
Aprašymas
Painting in between abstraction and representation always offers a promise of thought and feeling. Emotionally, as well as intellectually, it marks out new horizons. Andreas Eriksson’s series Cutouts, are works with cut-out elements from discarded paintings. In Eriksson’s work, cutouts are resurrected and taken seriously in their very own, specific form. Hence, something that is outside the painting shifts into focus here, showing us its asymmetrical edges and the marks of its production, and manifesting as wonderful, painterly work.
Išparduota
- Leidėjas Hatje Cantz Verlag GmbH
- Metai: 2021
- Puslapiai: 112
- ISBN-10: 3775748695
- ISBN-13: 9783775748698
- Formatas 22.2 x 32.1 x 2.7 cm, kieti viršeliai
- Kalba: Anglų
Painting in between abstraction and representation always offers a promise of thought and feeling. Emotionally, as well as intellectually, it marks out new horizons. Andreas Eriksson’s series Cutouts, are works with cut-out elements from discarded paintings. In Eriksson’s work, cutouts are resurrected and taken seriously in their very own, specific form. Hence, something that is outside the painting shifts into focus here, showing us its asymmetrical edges and the marks of its production, and manifesting as wonderful, painterly work.
Atsiliepimai